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Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
Impressionism which began as a private association of Paris-based artists who exhibited publicly in 1874. The movement was named after Claude Monet's Impression, Sunrise (Impression, soleil levant) (1872/1873); the term being coined by critic Louis Leroy. Impressionism is also a movement in music and a literary tendency
In turn, impression came to describe the movement as a whole. Initially used to describe and deprecate a movement, the term Impressionism "was immediately taken up by all parties" to describe the style, [8] and Monet's Impression, Sunrise is considered to encapsulate the start of the movement and its name.
Impressionism: It influenced by the European Impressionist art movement and subsumed into several other categories. The term is used to describe not some movement, but a work of literature characterized by the selection of a few details to convey the sense impressions left by an incident or scene [90] [91]
From the 1890s through the 1910s, American impressionism flourished in art colonies—loosely affiliated groups of artists who lived and worked together and shared a common aesthetic vision. [9] Art colonies tended to form in small towns that provided affordable living, abundant scenery for painting, and relatively easy access to large cities ...
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Literary Impressionism is influenced by the European Impressionist art movement; as such, many writers adopted a style that relied on associations. The Dutch Tachtigers explicitly tried to incorporate Impressionism into their prose, poems, and other literary works.
Édouard Manet (UK: / ˈ m æ n eɪ /, US: / m æ ˈ n eɪ, m ə ˈ-/; [1] [2] French: [edwaʁ manɛ]; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism.