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Selectively applying layers of colored slips can create the effect of a painted ceramic, such as in the black-figure or red-figure pottery styles of Ancient Greek pottery. Slip decoration is an ancient technique in Chinese pottery also, used to cover whole vessels over 4,000 years ago. [11]
Selectively applying layers of colored slips can create the effect of a painted ceramic, such as in the black-figure or red-figure pottery styles of Ancient Greek pottery. Slip decoration is an ancient technique in Chinese pottery also, used to cover whole vessels over 4,000 years ago. [4]
Application of an iron-rich clay slip (clay-paint) on the clay body of a skyphos, before firing. Contemporary black glaze pottery production at THETIS' workshop (Athens). Black-glazed ware is a type of ancient Greek fine pottery. The modern term describes vessels covered with a shiny black slip.
White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica , dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main ...
As the culture recovered Sub-Mycenaean pottery finally blended into the Protogeometric style, which begins Ancient Greek pottery proper. [citation needed] The rise of vase painting saw increasing decoration. Geometric art in Greek pottery was contiguous with the late Dark Age and early Archaic Greece, which saw the rise of the Orientalizing period.
Heracles and Geryon on an Attic black-figured amphora with a thick layer of transparent gloss, c. 540 BCE, now in the Munich State Collection of Antiquities.. Black-figure pottery painting (also known as black-figure style or black-figure ceramic; Ancient Greek: μελανόμορφα, romanized: melanómorpha) is one of the styles of painting on antique Greek vases.
West Slope pottery is a subtype of Black-glazed Ware. It was additionally decorated with white, yellow and pink clay slip, incisions, vertical ribbing and imprinted roulette decoration. The type developed during the 4th century BC out of a pottery style with applied yellowish-orange plastic ornaments that imitated gilding.
The mottling was produced by uneven firing of the slip-covered pot, with the hottest areas turning dark. Considering that the mottling was controlled into a pattern, touching with hot coals was probably used to produce it. There is also a style painted in a creamy white over the reddish-brown wash applied all over the body.
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