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Parlor, Bedroom and Bath is an American pre-Code comedy film starring Buster Keaton, released by Metro-Goldwyn Mayer in 1931. It was Keaton's third talking picture after his successful silent career. The film was released in the United Kingdom as Romeo in Pyjamas.
Name Category Address Date Bud Abbott: Motion pictures: 1611 Vine Street February 8, 1960 Radio: 6333 Hollywood Boulevard February 8, 1960 Television: 6740 Hollywood Boulevard February 8, 1960 Paula Abdul: Recording: 7021 Hollywood Boulevard December 4, 1991 Harry Ackerman: Television: 6661 Hollywood Boulevard
Palmy Days is a 1931 American Pre-Code musical comedy film written by Eddie Cantor, Morrie Ryskind, and David Freedman, directed by A. Edward Sutherland, and choreographed by Busby Berkeley (who makes a cameo appearance as a fortune teller).
Everything's Rosie is a 1931 American Pre-Code slapstick comedy film directed by Clyde Bruckman, from a screenplay by Ralph Spence, Tim Whelan, and Al Boasberg, based on a story by Boasberg. Although the screenplay was credited as original, it bore a striking resemblance to a 1923 play, Poppy , which had starred W. C. Fields .
Philip Baker Hall (September 10, 1931 – June 12, 2022) was an American character actor. He is known for his collaborations with Paul Thomas Anderson, including Hard Eight (1996), Boogie Nights (1997), and Magnolia (1999). He also starred in leading roles in films, such as Secret Honor (1984) and Duck (2005).
Broadminded is a 1931 American Pre-Code romantic comedy film directed by Mervyn LeRoy and starring Joe E. Brown, Ona Munson and William Collier Jr. [1] Plot [ edit ]
Up Pops the Devil is a 1931 American pre-Code comedy drama film directed by A. Edward Sutherland. The screenplay concerns an advertising man (Norman Foster) who quits his job to become a novelist, upsetting his wife (Carole Lombard) and straining their marriage. The film was released by Paramount Pictures. [1]
Laughing Sinners is a 1931 American pre-Code Metro-Goldwyn-Mayer feature film starring Joan Crawford and Clark Gable in a story about a cafe entertainer who experiences spiritual redemption. The dialogue by Martin Flavin was based upon the play Torch Song by Kenyon Nicholson .