Search results
Results from the WOW.Com Content Network
Quarter tone on C. A quarter tone is a pitch halfway between the usual notes of a chromatic scale or an interval about half as wide (orally, or logarithmically) as a semitone, which itself is half a whole tone. Quarter tones divide the octave by 50 cents each, and have 24 different pitches.
Dialogue, for two pianos tuned a quarter-tone apart, eight hands, W.o.O. (1959) Dithyrambe, for two pianos tuned a quarter-tone apart, Op. 12 (1923–1924) Études sur les mouvements rotatoires, for two pianos tuned a quarter-tone apart, eight hands, Op. 45a.; for chamber orchestra, Op. 45c (1961)
The terms quartal and quintal imply a contrast, either compositional or perceptual, with traditional harmonic constructions based on thirds: listeners familiar with music of the common practice period are guided by tonalities constructed with familiar elements: the chords that make up major and minor scales, all in turn built from major and minor thirds.
A septimal quarter tone (in music) is an interval with the ratio of 36:35, which is the difference between the septimal minor third and the Just minor third, or about 48.77 cents wide. The name derives from the interval being the 7-limit approximation of a quarter tone .
Septimal quarter tone This page was last edited on 21 August 2014, at 03:39 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 License ...
Lowers the pitch of a note by three quarter tones. As with a demiflat, a slashed double-flat symbol is also used. Demisharp / Half sharp Raises the pitch of a note by one quarter tone. Sharp-and-a-half (sesquisharp) Raises the pitch of a note by three quarter tones. Occasionally represented with two vertical and three diagonal bars instead ...
A quarter-tone flat, half flat, or demiflat indicates the use of quarter tones; it may be marked with various symbols including a flat with a slash or a reversed flat sign (). A three-quarter-tone flat, flat and a half or sesquiflat, is represented by a demiflat and a whole flat ().
Comparison between tunings: Pythagorean, equal-tempered, quarter-comma meantone, and others.For each, the common origin is arbitrarily chosen as C. The degrees are arranged in the order or the cycle of fifths; as in each of these tunings except just intonation all fifths are of the same size, the tunings appear as straight lines, the slope indicating the relative tempering with respect to ...