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The brief High Renaissance (c. 1490 –1520) of Leonardo da Vinci, Michelangelo and Raphael transformed Catholic art more fundamentally, breaking with the old iconography that was thoroughly integrated with theological conventions for original compositions that reflected both artistic imperatives, and the influence of Renaissance humanism.
Fernando Yáñez de la Almedina, Spanish Renaissance art whose works were often religious [621] [622] [623] Francisco Tito Yupanqui , known for Marian statues such as Virgin of Copacabana ; [ 624 ] [ 625 ] [ 626 ] there is an effort to have him beatified [ 627 ] [ 628 ] [ 629 ]
The Holy Family with Saint John the Baptist and an Angel is a religious painting by the Italian Renaissance artist Giovanni Antonio Bazzi aka Il Sodoma, dated to c. 1535–1540. It is now in the Musée des Beaux-Arts of Strasbourg, France. Its inventory number is 351. [2]
The Madonna of humility by Domenico di Bartolo 1433 has been described as one of the most innovative devotional images from the early Renaissance [35]. Catholic Marian art has expressed a wide range of theological topics that relate to Mary, often in ways that are far from obvious, and whose meaning can only be recovered by detailed scholarly analysis.
The Pietà (Italian: [maˈdɔnna della pjeˈta]; "[Our Lady of] Pity"; 1498–1499) is a Carrara marble sculpture of Jesus and Mary at Mount Golgotha representing the "Sixth Sorrow" of the Virgin Mary by Michelangelo Buonarroti, in Saint Peter's Basilica, Vatican City, for which it was made.
The most usual depiction of the Trinity in Renaissance art depicts God the Father as an old man, usually with a long beard and patriarchal in appearance, sometimes with a triangular halo (as a reference to the Trinity), or with a papal tiara, specially in Northern Renaissance painting. In these depictions The Father may hold a globe or book.
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