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  2. St John Passion - Wikipedia

    en.wikipedia.org/wiki/St_John_Passion

    The Passio secundum Joannem or St John Passion [a] (German: Johannes-Passion), BWV 245, is a Passion or oratorio by Johann Sebastian Bach, the earliest of the surviving Passions by Bach. [1] It was written during his first year as director of church music in Leipzig and was first performed on 7 April 1724, at Good Friday Vespers at the St ...

  3. St John Passion structure - Wikipedia

    en.wikipedia.org/wiki/St_John_Passion_structure

    The seventh chorale, movement 22, is the central movement of the whole Passion, which interrupts the conversation of Pilate and the crowd by a general statement of the importance of the passion for salvation: "Durch dein Gefängnis, Gottes Sohn, ist uns die Freiheit kommen" (Through your prison, Son of God, must come to us our freedom) [8] [22 ...

  4. Passio (Pärt) - Wikipedia

    en.wikipedia.org/wiki/Passio_(Pärt)

    Passio Domini Nostri Jesu Christi secundum Joannem (The Passion of Our Lord Jesus Christ According to John), also known as the St. John Passion or simply Passio, is a passion setting by Arvo Pärt for solo baritone (Jesus), solo tenor (Pilate), solo vocal quartet (Evangelist), choir, violin, oboe, cello, bassoon and organ.

  5. Passions (Homilius) - Wikipedia

    en.wikipedia.org/wiki/Passions_(Homilius)

    The Johannespassion (St John Passion), "Der Fromme stirbt", HoWV 1.4, is a Passion scored for five soloists, a four-part choir SATB and orchestra. [12] The final movement has a transition from A minor to a "celebratory" A major, in keeping with John's interpretation of the crucifixion as a victory. [6] C. P. E.

  6. Ich will den Kreuzstab gerne tragen, BWV 56 - Wikipedia

    en.wikipedia.org/wiki/Ich_will_den_Kreuzstab...

    Psychologist and gerontologist Andreas Kruse notes that the chorale conveys the transformation and transition from earthly life to an eternal harbour. [51] He compares the setting to "Ach Herr, laß dein lieb Engelein", the closing chorale of Bach's St John Passion, which is focused on sleep and awakening

  7. Man singet mit Freuden vom Sieg, BWV 149 - Wikipedia

    en.wikipedia.org/wiki/Man_singet_mit_Freuden_vom...

    Bach's setting is remarkable for its final two bars: the trumpets and timpani create a "magnificent blaze of sound". [2] Bach chose the same stanza of Schalling's chorale to end his St John Passion, in the work's first and last version. [5]

  8. St John Passion discography - Wikipedia

    en.wikipedia.org/wiki/St_John_Passion_discography

    One voice per part (green background): OVPP or OVPP+R (with ripienists reinforcing the soloists in some chorale movements) Orch. type (orchestra type) Large orchestras (red background): Bach (orchestra dedicated to Bach's music, founded in the mid of the 20th century), Radio (symphony orchestra of a broadcaster), Symphony

  9. Herr Jesu Christ, wahr' Mensch und Gott, BWV 127 - Wikipedia

    en.wikipedia.org/wiki/Herr_Jesu_Christ,_wahr...

    Christoph Wolff notes that on Good Friday of that year Bach would perform the second version of his St John Passion, replacing the opening and the closing movement of the first version by music based on chorales, "O Mensch, bewein dein Sünde groß" which would become the final movement of the first part of the St Matthew Passion, and again ...

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