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Christ after his Resurrection, with the ostentatio vulnerum, showing his wounds, Austria, c. 1500. The five wounds comprised 1) the nail hole in his right hand, 2) the nail hole in his left hand, 3) the nail hole in his right foot, 4) the nail hole in his left foot, 5) the wound to his torso from the piercing of the spear.
This is an accepted version of this page This is the latest accepted revision, reviewed on 18 December 2024. Appearance of wounds corresponding to the crucifixion wounds of Jesus For other senses of this word, see Stigma and stigmata (disambiguation). Not to be confused with Stigmatism. Hands with stigmata, depicted on a Franciscan church in Lienz, Austria St Catherine fainting from the ...
While the five-fold cross symbol appears to have originated in the 11th century, its association with the Kingdom of Jerusalem dates to the second half of the 13th century. The symbolism of the five-fold cross is variously given as the Five Wounds of Christ, Christ and the four evangelists, or Christ and the four quarters of the world.
The four smaller crosses are said to symbolize either the four books of the Gospel or the four directions in which the Word of Christ spread from Jerusalem. Alternatively, all five crosses can symbolize the five wounds of Christ during the Passion. This symbol is used in the flag of Georgia.
The unnamed poet credits the symbol's origin to King Solomon, and explains that each of the five interconnected points represents a virtue tied to a group of five: Gawain is perfect in his five senses and five fingers, faithful to the Five Wounds of Christ, takes courage from the five joys that Mary had of Jesus, and exemplifies the five ...
The plant Passiflora edulis (passionfruit) was given the name by early European explorers because the flower's complex structure and pattern reminded them of symbols associated with the passion of Christ. It was said that the flower contained the lashes received by Christ, the crown of thorns, the column, the five wounds and the three nails. [5]
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The various versions of the Man of Sorrows image all show a Christ with the wounds of the Crucifixion, including the spear-wound. Especially in Germany, Christ's eyes are usually open and look out at the viewer; in Italy the closed eyes of the Byzantine epitaphios image, originally intended to show a dead Christ, remained for longer.
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