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In 1504 Leonardo da Vinci was given the commission by gonfaloniere Piero Soderini, a contract signed by Niccolò Machiavelli, to decorate the Palazzo Vecchio's Salone dei Cinquecento (Hall of the Five Hundred). At the same time his rival Michelangelo, who had just finished his David, was designated the opposite wall. This was the only time that ...
In The Guardian Hollie Richardson called it a "classy documentary drama series". [9] Anita Singh in The Daily Telegraph praised the performance of Dance as Michelangelo, describing him as "great, bringing all the gravitas and wisdom you would expect", but questioned the decision not to have speaking parts for the actors portraying Leonardo da Vinci or Raphael. [10]
The other wall was to have a painting by Michelangelo depicting an earlier Florentine victory at the Battle of Cascina in 1364. A 1687 relief sculpture depicting the battle by Baroque artist Giovanni Battista Foggini in Santa Maria del Carmine, Florence depicts Saint Andrew Corsini guiding the Florentine forces to victory.
Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. [3] Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century.
Frederick Hartt states that Leonardo's The Last Supper, the painting of which began in 1495 and concluded in 1498, makes a complete break with the Early Renaissance and created the world in which Michelangelo and Raphael worked, [5] while Christoph Luitpold Frommel, in his 2012 article "Bramante and the Origins of the High Renaissance," states ...
Standing alongside Leonardo and Michelangelo as the third great painter of the High Renaissance was the younger Raphael, who in a short lifespan painted a great number of lifelike and engaging portraits, including those of Pope Julius II and his successor Pope Leo X, and numerous portrayals of the Madonna and Christ Child, including the Sistine ...
Leonardo devised a dynamic composition depicting four men riding raging war horses engaged in a battle for possession of a standard, at the Battle of Anghiari in 1440. Michelangelo was assigned the opposite wall to depict the Battle of Cascina. Leonardo's painting deteriorated rapidly and is now known from a copy by Rubens. [118]
Frustrated by perceived mistreatment at the hands of Pope Julius II and motivated by a sense of rivalry with the older Leonardo da Vinci, who produced a design that was not used, Michelangelo accepts. Michelangelo is at first overwhelmed by the task and ignores the draftsmen and engineers at his disposal, provided by Ali Pasha and the sultan.