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The most important work of Kulu painting is a superb Ramayana series of 270 paintings, known as the Shangri Ramayana (see illustration of Rama Bestows His Possessions on the Brahmins, His Friends, and Servants). W.G. Archer classified those paintings into four styles and ascribed them to the period from c. 1690 to c. 1710.
The paintings depict not just the Ragas, but also their wives, (raginis), their numerous sons (ragaputra) and daughters (ragaputri). [ 1 ] The six principal ragas present in the Ragamala are Bhairava, Deepak, Sri, Malkaunsa, Megha and Hindola and these are meant to be sung during the six seasons of the year – summer, monsoon, autumn, early ...
Mughal painting is a style of Indian painting, generally confined to illustrations ... continued the patronage of painting. [32] Some of the famous ... Ramayana by ...
For instance, the Ramayana has been expressed or interpreted in Lkhaon Khmer dance theatre, in the Ramanattam and Kathakali of Kerala, in the Mappila Songs of the Muslims of Kerala and Lakshadweep, [6] in the Indian operatic tradition of Yakshagana, and in the epic paintings still extant on, for instance, the walls of Thailand's Wat Phra Kaew ...
His father was a drawing teacher. He learnt many skills in drawing from his father. He was a child prodigy and started his career as an artist at the age of 5.He got inspired by Raja Ravi Varma's famous painting of "Kodanda Rama" and drew "Lord Hanuman's" picture. His father narrated to him the famous Hindu mythologies, Mahabharata and Ramayana.
The Bikaner style of painting is a Rajasthani style of Indian painting developed in the city of Bikaner, capital of Bikaner State. It is one of the many schools of Rajput painting that developed in the late 17th century with the help of artists from the imperial Mughal workshops, who dispersed after these were run down in the reign of Aurangzeb ...
According to Kalita, “The best of the pictures in the repertory of Assamese painting belonging to the Sattriya idiom has been rendered in late 17th century A.D.” (Kalita, 2009) But we have other manuscripts of the style such as Vanamali Devar Charita of Ramakanta Dwija; Sri Bhagavata Matsya Charita of Nitananda Kayastha, A.D 1644–50; Gita ...
As well as some more conventional scenes, such as showing the raja hunting with a retinue or watching dancers, paintings by Nainsukh show the raja getting his beard trimmed, writing a letter, performing a puja, looking out of a palace window, sitting in front of the fire wrapped in a blanket, or smoking a hookah and inspecting a painting. [16]
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