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The mixer had twenty-four microphone inputs and eight tape outputs, [3] a significant increase over the eight microphone inputs and four tape outputs of the REDD .51 mixing console that it replaced. [4] This also enabled the studio to replace its four-track Studer J37 multitrack tape recorder with the eight-track 3M M23. [5]
A sound engineer at the controls of a SSL9000J mixer. Most, but not all, audio mixers can use monaural signals to produce simulated stereo sound through panning. provide phantom power required by condenser microphones. Some mixers can add onboard external effect units (reverb, echo, delay). Mixers with onboard digital effects typically offer a ...
A mixer (mixing console, mixing desk, mixing board, or software mixer) is the operational heart of the mixing process. [10] Mixers offer a multitude of inputs, each fed by a track from a multitrack recorder. Mixers typically have 2 main outputs (in the case of two-channel stereo mixing) or 8 (in the case of surround).
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TASCAM also introduced the first low-cost mass-produced multitrack recorders with Simul-Sync designed for recording musicians, and manufactured reel-to-reel tape machines and audio mixers for home recordists from the early 1970s through the mid-1990s. Since the early 00's, TASCAM has been an early innovator in the field-recording and audio ...
The unit can be linked for stereo and multi-channel operation. The compressor processes the audio signal before the output amplifier, meaning the output level can be raised after compression of the signal. [9] The controls include compression attack and recovery times. There is also a bypass control to switch the effect in or out of the circuit.
Harrison Audio Consoles is an international company based in Nashville, Tennessee that manufactures high-end mixing consoles, Digital Audio Workstations (DAW), audio plugins, and other audio technologies for the post-production, video production, broadcast, sound reinforcement and music recording industries. The company is renowned as an ...
A rack of electronic audio compressors. Dynamic range compression is designed to help the audio engineer to manage the dynamic range of audio signals. Prior to the invention of automatic compressors, audio engineers accomplished the same goal by "riding the faders", listening carefully to the mix and lowering the faders of any singer or ...
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