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In 2008, research and development into a new camouflage pattern began with five patterns being analyzed, consisting of fractal, desert, woodland, urban and universal. [2] Later on, eight patterns were being studied for potential adoption, which includes universal, multicamo for use in more than one environment and the others are terrain-based ...
Multi-scale camouflage is a type of military camouflage combining patterns at two or more scales, often (though not necessarily) with a digital camouflage pattern created with computer assistance. The function is to provide camouflage over a range of distances, or equivalently over a range of scales (scale-invariant camouflage), in the manner ...
Fractal art developed from the mid-1980s onwards. [2] It is a genre of computer art and digital art which are part of new media art. The mathematical beauty of fractals lies at the intersection of generative art and computer art. They combine to produce a type of abstract art. Fractal art (especially in the western world) is rarely drawn or ...
Netherlands Fractal Pattern Green (NFP-Green) Flecktarn: 2019 NFP Green, Standard issued camouflage since 2019 in the Royal Netherlands Army. [50] [51] This camouflage is designed to be used in green areas, woods, and urban areas in Europe. Three additional colour variations are in use and are shown below. An arctic version of the NFP is being ...
Flecktarn (German pronunciation: [ˈflɛktaʁn]; "mottled camouflage"; also known as Flecktarnmuster or Fleckentarn) is a family of three-, four-, five- or six-color disruptive camouflage patterns, the most common being the five-color pattern, consisting of dark green, grey-green, red brown, and black over a light green or tan base depending on the manufacturer.
The U.S. Woodland is a camouflage pattern that was used as the default camouflage pattern issued to the United States Armed Forces from 1981, with the issue of the Battle Dress Uniform, until its replacement in the mid to late 2000s. [2] It is a four color, high contrast disruptive pattern with irregular markings in green, brown, sand and black.
As a conceptual artist interested in digital art, fractals chaos and fractal art, Ginzburg created what he calls "homo fractalus" – a concept about microcosm totality. [ 1 ] He has worked with the art critic Pierre Restany (with whom he developed the concept of "Political Ecology") [ 2 ] and with Severo Sarduy who put him near Hokusai in ...
The camouflage researcher Isla Forsyth describes this work as an "extensive study into modern military camouflage..by the British and US military throughout the First and Second World Wars, exploring the contribution of art and science, and the ways in which, via modern and contemporary art, camouflage has been appropriated by contemporary ...
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