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"Everybody Hurts" is a song by American rock band R.E.M. from their eighth studio album, Automatic for the People (1992), and released as a single in April 1993 by Warner Bros. Records. It peaked at number 29 on the US Billboard Hot 100 , but fared much better on the US Cash Box Top 100 , where it peaked at number 18.
The band performed a heartfelt version of the R.E.M. song “Everybody Hurts”, as well as debuting two unreleased compositions: the songs “Radio” and “At Your Side”, with lyrics by Sharon Corr, would eventually go on to be re-recorded and featured on their album In Blue, the following year.
Other singles charted higher overseas: "Everybody Hurts" charted in the top ten on the United Kingdom singles chart, Canada, and Australia. [ 37 ] A live, harder, version of "Drive" appears on the Alternative NRG , recorded at Athens' 40 Watt Club on November 19, 1992, during an invitation-only concert supporting Greenpeace Action.
Its founder members were Paul Young (vocals), Ian Wilson (guitar), Vic Emerson (keyboards), Ashley Mulford (lead guitar), John Stimpson (bass) and Tony Cresswell (drums). [2] The band took their name from the Carson McCullers novella Ballad of the Sad Café .
"This track just really got hold of me — took hold of me,” recalls director Jake Scott, who at age 27 was still trying to make "that one video when you knock it out of the park."
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
T he announcement that President-elect Donald Trump’s long-anticipated pick for Treasury Secretary will be hedge fund manager Scott Bessent is being received well by business leaders and markets ...
In 1994, Hersh began a solo career on Sire/Reprise and 4AD as an acoustic performer, beginning with Hips and Makers, an album sparsely arranged around her vocals, guitar, and a cellist, in contrast to the volatile, electric sound of her band work. Michael Stipe of R.E.M. made an appearance on this first solo album. [9]