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The painting depicts Jesus and the Apostles during the Last Supper, with Judas dressed in blue turning back towards the viewer and away from the table. Other than Jesus, the most prominent figure is Judas. Judas holds his right hand to his mouth with his eyes avoiding direct contact with the other figures in the painting creating a nervous ...
The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
Saints Peter and John flank Christ, with Judas the uneasy figure in red. Originally this painting was meant to be of the Last Supper as a replacement for the painting by Titian of the same subject that perished in a fire. [2] However, the subject was changed by Veronese after his trial before the Inquisition.
"The ‘Last Supper’ and the Pinacoteca di Brera receive 1 million visitors a year, and take in more than 10 million euros ($10.5 million) in revenue," said Crespi.
The highly detailed marble walls hearken back to Roman "First Style" wall paintings, and the pillars and griffon statues recall Classical sculpture and trompe-l'œil painting. The halos are depicted in perspective. The Last Supper was a major work by Andrea del Castagno and his studio. The quality of figures and details is uneven; the right ...
The painting is Wadworth's re-creation of the scene made famous by the 15th century mural of the Last Supper created by Leonardo da Vinci at a convent in Milan, Italy.
The Last Supper of Jesus and the Twelve Apostles has been a popular subject in Christian art, [1] often as part of a cycle showing the Life of Christ. Depictions of the Last Supper in Christian art date back to early Christianity and can be seen in the Catacombs of Rome. [2] [3] The Last Supper was depicted both in the Eastern and Western ...
In paintings depicting the Last Supper, Judas is occasionally depicted with a dark-colored halo (contrasting with the lighter halos of the other apostles) to signify his former status as an apostle. More commonly, however, he is the only one at the table without one.
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