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[36] [37] The song re-entered the August 27, 2011, Billboard Hot 100 at number 96, while debuting on the Pop Songs chart at number 35. [ 38 ] [ 39 ] The following week, the song was the greatest gainer on the digital chart, entering at number 24 having sold 56,000 copies, while moving to number 35 on the Hot 100.
The song was written by all the members of the group, and produced by members Dappy and Fazer. "I Need You" is a hip-house [citation needed] song that uses club synthesisers and sirens that were described by Digital Spy as "Hawkish." [1] Among the influences in the song include: R&B, pop, house and British hip hop.
"Blurred Lines" has been described as a funk-inspired pop and R&B track. [1] [9] Its instrumentation consists of bass guitar, drums, and percussion. [10]According to Emily Bootle of New Statesman, the song is light-hearted in nature and its musical humor is evident in the "bouncing bassline, tongue-in cheek background yelps, the comically low pitch of the refrain 'I know you want it' and the ...
“Clap along if you feel like happiness is the truth because I’m happy…” are just the words to spark joy and Pharrell Williams has just the pop song to do it. Listen Here 54.
While Otis Redding wrote and recorded "Respect" first, the major departure in Franklin's version -- when she spells out R-E-S-P-E-C-T -- is both the most memorable piece of the song and the moment ...
The song begins with a "strange, electronic, slightly broken noise" that spans between the start of the song up until 54 seconds. [4] The ambient-influenced beginning gives the impression that "Nothing Really Matters" would be a ballad, but in the minute mark, it changes to a mid-tempo dance-pop song. The ambient music becomes restrained ...
The song was played at a "secret show" performed by the band on October 28, 2011, where the band also performed other songs that are on the track listing of ¡Uno!: "Let Yourself Go" and "Carpe Diem" [1] [2] Erica Futterman of Rolling Stone praised the band's performance while also writing, "Other new music included the blistering Ramones-tinged 'Let Yourself Go' ('Shut your mouth 'cause you ...
The song received generally favorable reviews. Writing for Rolling Stone, Jon Blisten called "Matches" a "delightful hit of contemporary club pop" with strings that are "reminiscent of the Max Martin-style songs that made Spears and BSB superstars". [18] Tom Breihan from Stereogum called the track "catchy" and "fast, glitchy pop". [9]