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The staff of The Face labelled the song a "smooth dance pop tune", [9] while Nina Corcoran of Consequence called it a "quick but infectio[us] pop song", [19] and Derrick Rossignol for Uproxx labelled the song a "infectious and thumping pop tune". [50] iHeartRadio's Eliot Hill named "Fever" one of 2020's most underrated songs. [51]
By the chart's last issue on December 1, 1990, Billboard considered its composition of songs too similar to the Hot 100's and announced its discontinuation. [6] The Black/dance/pop crossover genre became known as rhythmic contemporary, [7] and Billboard launched the Top 40/Rhythm-Crossover chart on October 3, 1992. [11]
In 2012, Priya Elan of NME placed the song at number four on her The Greatest Pop Songs in History list. [33] In 2012, The Guardian included the song on their list of The Best Number One Records in the United Kingdom, labelling it "sleek, Arctic-blue minimalism, like an emotionally thwarted retelling of Donna Summer's 'I Feel Love' ". [ 15 ] "
Lew Dockstader Bert Williams, shown here in blackface, was the highest-paid African-American entertainer of his day.. This is a list of entertainers known to have performed in blackface makeup, whether in a minstrel show, as satire or historical depiction of such roles, or in a portrayal of a character using makeup as a racial disguise, for whatever reason.
"Apt." (abbreviation for "Apartment") is a song by New Zealand and South Korean singer Rosé and American singer-songwriter Bruno Mars. It was released through The Black Label and Atlantic Records on 18 October 2024, as the lead single from Rosé's debut studio album, Rosie (2024).
"Papa Don't Preach" is a song by American singer Madonna from her third studio album, True Blue (1986). Written by Brian Elliot, it was produced by the singer and her collaborator Stephen Bray. In the United States, the song was released as the album's second single on June 11, 1986, whereas in most European countries, the release was five days ...
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The song begins with a "strange, electronic, slightly broken noise" that spans between the start of the song up until 54 seconds. [4] The ambient-influenced beginning gives the impression that "Nothing Really Matters" would be a ballad, but in the minute mark, it changes to a mid-tempo dance-pop song. The ambient music becomes restrained ...