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The word plastic draws from the Ancient Greek πλαστικός (plastikós), which means 'to mold' or 'to shape'. [3] It has long preceded its dominant modern meaning as a synthetic material. The term plastic arts has been used historically to denote visual art forms (painting, sculpture, and ceramics) as opposed to literature or music.
Modern and contemporary art have added a number of non-traditional forms of sculpture, including sound sculpture, light sculpture, environmental art, environmental sculpture, street art sculpture, kinetic sculpture (involving aspects of physical motion), land art, and site-specific art. Sculpture is an important form of public art.
Feltépve (Ripped Up or Popped Up) was a 2014 outdoor temporary sculpture located in Széchenyi Square in Budapest, Hungary, by Ervin Hervé-Lóránth. The artwork depicted a giant man emerging from the earth, and was installed as part of the 2014 Art Market Budapest.
In the latter half of the century, plastic technology advanced so that it was feasible for artists to start using plastic and acrylics as an artwork medium. Artist Roxy Paine created a sculpture-making machine "Scumak No. 2": [2] a large metal contraption that oozed acrylic on to a conveyor belt that jiggled slowly back and forth. The barely ...
Angela Haseltine Pozzi (born 1957) is an American sculptor who uses recycled ocean plastic to create her work. She is also the founder and creative director of Washed Ashore . Her large-scale sculptures include a polar bear, puffin, jellyfish, and an octopus.
Washed Ashore is a project of the Artula Institute for Art and Environmental Education U.S. 501(c)(3) grassroots non-profit environmental organization that works to bring awareness to the world's growing plastic pollution problem through art.
Plastic arts are art forms which involve physical manipulation of a plastic medium by moulding or modeling such as sculpture or ceramics. The term has also been applied more broadly to all the visual arts (such as painting, sculpture, film and photography).[1]
The goal of a kinetic sculpture is to create a machine in which motion is a critical component of the piece, resulting the audience's failure to associate the sculpture with a mere object. [11] The automated nature of Can't Help Myself categorizes the sculpture as a work of kinetic art, which, in turn, generates an anthropomorphic quality to ...
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