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The Burney Relief (also known as the Queen of the Night relief) is a Mesopotamian terracotta plaque in high relief of the Isin-Larsa period or Old-Babylonian period, depicting a winged, nude, goddess-like figure with bird's talons, flanked by owls, and perched upon two lions.
After Mesopotamia fell to the Persian Achaemenid Empire, which had much simpler artistic traditions, Mesopotamian art was, with Ancient Greek art, the main influence on the cosmopolitan Achaemenid style that emerged, [102] and many ancient elements were retained in the area even in the Hellenistic art that succeeded the conquest of the region ...
However, by this time, cavalry was far more effective and agile than the chariot, and the defeat of Darius III at the Battle of Gaugamela (331 BC), where the army of Alexander simply opened their lines and let the chariots pass and attacked them from behind, marked the end of the era of chariot warfare (barring the Seleucid and Pontic powers ...
Ancient art refers to the many types of art produced by the advanced cultures of ancient societies with different forms of writing, such as those of ancient China, India, Mesopotamia, Persia, Palestine, Egypt, Greece, and Rome.
Bucket and cone refer to twin attributes that are frequently held in the hands of winged genies depicted in the art of Mesopotamia, and within the context of Ancient Mesopotamian religion. The iconography is particularly frequent in art from the Neo-Assyrian Empire (911–605 BCE), and especially Assyrian palace reliefs from this period
Sumerian dignitary, Uruk, circa 3300-3000 BCE. National Museum of Iraq. [3] [4] Fragment of a Bull Figurine from Uruk, c. 3000 BCEVotive sculptures in the form of small animal figurines have been found at Uruk, using a style mixing naturalistic and abstract elements in order to capture the spiritual essence of the animal, rather than depicting an entirely anatomically accurate figure.
"Winged genie", Nimrud c. 870 BC, with inscription running across his midriff. Part of the Lion Hunt of Ashurbanipal, c. 645–635 BC. Assyrian sculpture is the sculpture of the ancient Assyrian states, especially the Neo-Assyrian Empire of 911 to 612 BC, which was centered around the city of Assur in Mesopotamia (modern-day Iraq) which at its height, ruled over all of Mesopotamia, the Levant ...
Relief of the Lion hunt of Ashurbanipal, British Museum Relief with Ashurbanipal killing a lion, c. 645–635 BC The king shoots arrows from his chariot, while huntsmen fend off a lion behind The royal Lion Hunt of Ashurbanipal is shown on a famous group of Assyrian palace reliefs from the North Palace of Nineveh that are now displayed in room ...