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This is a non-diffusing parent category of Category:20th-century Scottish women painters The contents of that subcategory can also be found within this category, or in diffusing subcategories of it. Contents
It includes Scottish painters that can also be found in the parent category, or in diffusing subcategories of the parent. Pages in category "20th-century Scottish women painters" The following 90 pages are in this category, out of 90 total.
Thomas Corsan Morton (1859–1928), artist known as one of the Glasgow Boys; James MacLauchlan Nairn (1859–1904), Glasgow-born painter who influenced late 19th-century New Zealand painting; Charlotte Nasmyth (1804–1884), landscape painter, daughter of Alexander Nasmyth; Jessie Newbery (1864–1948), Glasgow School artist and embroiderer
The Coffee Pot, by Samuel Peploe (1905). The first significant group of Scottish artists to emerge in the twentieth century were the Scottish Colourists in the 1920s. The name was retrospectively given to John Duncan Fergusson (1874–1961), Francis Cadell (1883–1937), Samuel Peploe (1871–1935) and Leslie Hunter (1877–1931). [2]
This is a non-diffusing parent category of Category:20th-century Scottish male artists and Category:20th-century Scottish women artists The contents of these subcategories can also be found within this category, or in diffusing subcategories of it.
This is demonstrated in his most celebrated painting A Point in Time 1929–1937 now owned by the National Galleries of Scotland. [2] [11] Johnstone's work is found in several major UK public collections including the Tate Gallery, [12] the Government Art Collection, [13] The Fleming Collection and the Dundee Art Galleries and Museums Collections.
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