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Phonaesthetics (also spelled phonesthetics in North America) is the study of the beauty and pleasantness associated with the sounds of certain words or parts of words.The term was first used in this sense, perhaps by J. R. R. Tolkien, [1] during the mid-20th century and derives from Ancient Greek φωνή (phōnḗ) 'voice, sound' and αἰσθητική (aisthētikḗ) 'aesthetics'.
In typography, the mean line is the imaginary line at the top of the x-height. [1]Round glyphs will tend to break the mean line slightly in many typefaces, since this is aesthetically more pleasing, otherwise curved letters such as a, c, e, m, n, o, r, s, and u will appear visually smaller than flat-topped (or bottomed) characters of equal height, due to an optical illusion.
By finding the ideal measurement between the letter thickness and pen (writing tool) thickness, he established the style and form for the ideal beauty of tughras. [8] He is regarded as the first great Turkish painter in the Western sense of painting. His bird, parrot, painting is considered to be the first realist work of Turkish painting. [9]
The experimental inquiry into simple aesthetically pleasing forms was begun by G. T. Fechner in seeking to test the soundness of Adolf Zeising's hypothesis that the most pleasing proportion in dividing a line, say the vertical part of a cross, is the "golden section", where the smaller division is to the larger as the latter to the sum.
Quality writing had a rhythm and regularity to the letters, with a "geometrical" order of the lines on the page. Each character had, and often still has, a precise stroke order. Sacred Western calligraphy has some unique features, such as the illumination of the first letter of each book or chapter in medieval times. A decorative "carpet page ...
Aesthetically pleasing to the eye. [6] Generally, characters that are written correctly, legibly, concisely, and in the correct context are also aesthetically ...
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This theory takes the subjectivity of the observer into account and postulates that among several observations classified as comparable by a given subjective observer, the most aesthetically pleasing is the one that is encoded by the shortest description, following the direction of previous approaches.