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Gnosis is a feminine Greek noun which means "knowledge" or "awareness." [10] It is often used for personal knowledge compared with intellectual knowledge (εἴδειν eídein), as with the French connaître compared with savoir, the Portuguese conhecer compared with saber, the Spanish conocer compared with saber, the Italian conoscere compared with sapere, the German kennen rather than ...
Urabe Kenkō (卜部 兼好, 1283–1350), also known as Yoshida Kenkō (吉田 兼好), or simply Kenkō (兼好), was a Japanese author and Buddhist monk. His most famous work is Tsurezuregusa (Essays in Idleness), [1] one of the most studied works of medieval Japanese literature. Kenko wrote during the early Muromachi and late Kamakura periods.
In Praise of Shadows (陰翳礼讃, In'ei Raisan) is a 1933 essay on Japanese aesthetics by the Japanese author Jun'ichirō Tanizaki. It was translated into English, in 1977, by the academic students of Japanese literature Thomas J. Harper and Edward Seidensticker. A new translation by Gregory Starr was published in 2017.
Tsurezuregusa (徒然草, Essays in Idleness, also known as The Harvest of Leisure) is a collection of essays written by the Japanese monk Kenkō (兼好) between 1330 and 1332. The work is widely considered a gem of medieval Japanese literature and one of the three representative works of the zuihitsu genre , along with The Pillow Book and the ...
Section of the earliest extant complete manuscript of the Kokinshū (Gen'ei edition, National Treasure); early twelfth century; at the Tokyo National Museum The Kokin Wakashū (古今和歌集, "Collection of Japanese Poems of Ancient and Modern Times"), commonly abbreviated as Kokinshū (古今集), is an early anthology of the waka form of Japanese poetry, dating from the Heian period.
The use of honkadori attempts to affect the reader in the same way as the original poem, the only difference being in the meaning and atmosphere. Debates occur while interpreting poems over the difference between honkadori and seishi (lines from poetry which have already been used and are not allowed to be repeated. [citation needed]
This category represents Japanese texts written in the Edo period (1603-1867). It marks the end of what is known as "classical literature". It marks the end of what is known as "classical literature".
The Man'yōshū is widely regarded as being a particularly unique Japanese work, though its poems and passages did not differ starkly from its contemporaneous (for Yakamochi's time) scholarly standard of Chinese literature and poetics; many entries of the Man'yōshū have a continental tone, earlier poems having Confucian or Taoist themes and ...