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Those, in turn, may suggest non-spatial meanings (e.g. up is better, down is worse as in the case of a social hierarchy of H.G. Wells' The Time Machine and the Morlocks and the Eloi): Literary space represents an author's model of the world, expressed in the language of spatial representation.
The tale uses the higher spatial dimension as a handy plot device allowing a magical exit for the ghost: [9] "There was evidently no time to be lost, so, hastily adopting the Fourth Dimension of Space as a means of escape, he vanished through the wainscoting, and the house became quite quiet." [10]
Spatial organization can be observed when components of an abiotic or biological group are arranged non-randomly in space. Abiotic patterns, such as the ripple formations in sand dunes or the oscillating wave patterns of the Belousov–Zhabotinsky reaction [ 1 ] emerge after thousands of particles interact millions of times.
Mind-mapping software can be used to organize large amounts of information, combining spatial organization, dynamic hierarchical structuring and node folding. Software packages can extend the concept of mind-mapping by allowing individuals to map more than thoughts and ideas with information on their computers and the Internet, like ...
"The Philosophy of Composition" first appeared in Graham's American Monthly Magazine of Literature and Art, April 1846, Philadelphia "The Philosophy of Composition" is an 1846 essay written by American writer Edgar Allan Poe that elucidates a theory about how good writers write when they write well.
It has become more than just reading and writing, and now includes visual, technological, and social uses among others. [31] Georgia Tech's writing and communication program created a definition of multimodality based on the acronym, WOVEN. [33] The acronym explains how communication can be written, oral, visual, electronic, and nonverbal.
A fiction-writing mode is a manner of writing imaginary stories with its own set of conventions regarding how, when, and where it should be used. Fiction is a form of narrative, one of the four rhetorical modes of discourse. Fiction-writing also has distinct forms of expression, or modes, each with its own purposes and conventions.
The Rufer House does this through its multilevel organization on a single floor. While both the first and second floors of the house have this split-level distinction, the second floor is the one best seen as Raumplan. The second floor is made up of the living area on the lower level and the dining room on the higher level.