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We Are Young" topped the Hot 100 Airplay chart with 120 million impressions in seven weeks, becoming the first group since Destiny's Child's Survivor (2001). [32] The song was the first song in 2012 to be certified by the RIAA 3 times platinum with sales of 3 million, [ 32 ] and was later certified 5 times platinum on June 21, 2012.
Jörg Stenzel has, since the age of eleven, been interested in stringed instruments, the guitar in particular. The two brothers combined their talents in 1997 and project York was born. York has released four successful UK singles. Their first single, "The Awakening", reached #11 in the UK Singles Chart in October 1999.
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
Antonoff, 40, shared how Fun.’s “We Are Young” nearly ended up on Watch The Throne, the 2011 collaborative album from West and Jay-Z, while speaking with Nardwuar in an interview published ...
I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1 ...
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The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D). Baroque guitar standard tuning – a–D–g–b–e
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