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Another drawback is in the usage of recording capacity, as a four-camera setup may use (depending on the cameras involved) up to four times as much film (or digital storage space) per take compared with a single-camera setup. A multiple-camera setup will require all cameras to be synchronous to assist with editing and to avoid cameras running ...
The 2K and 4K resolutions used in digital cinema projection are often referred to as DCI 2K and DCI 4K. DCI stands for Digital Cinema Initiatives. As digital cinema technology improved in the early 2010s, most theaters across the world converted to digital video projection. Digital cinema technology has continued to develop over the years with ...
Stereoscopy. New Stereoscopic Camera and Rendering with real-time display. Supports Anaglyph, Side-by-Side, Interlaced, or Active Shutter mode for 3D Monitors, projectors and glasses. New Character tools, allowing the user to set up complex rigs quickly and easily.
Samsung NX1 - First prosumer camera to record in HEVC, 4K downsampled from 6.5K, 80 Mbit/s in H.265. 30 min max recording time limit Samsung NX500 - Same 28 MP APS-C sensor as NXI but 4K video is not downsampled from 6.5K so less details and more noise than the NX1 - with this 2.4× crop factor the kit lens become a 38–120mm f8.5–13.4 ...
Digital cinematography captures motion pictures digitally in a process analogous to digital photography.While there is a clear technical distinction that separates the images captured in digital cinematography from video, the term "digital cinematography" is usually applied only in cases where digital acquisition is substituted for film acquisition, such as when shooting a feature film.
IMAX is a proprietary system of high-resolution cameras, film formats, film projectors, and theaters known for having very large screens with a tall aspect ratio (approximately either 1.43:1 or 1.90:1) and steep stadium seating, with the 1.43:1 ratio format being available only in few selected locations.
The system is capable of delivering up to 48 cd/m 2 on unity-gain matte-white screens for 3D (and up to 106 cd/m 2 for 2D), a substantial improvement on current generation 3D systems which deliver in the range of 10 to 14 cd/m 2 for 3D. The result is improved brightness, colour, and contrast compared to traditional xenon projectors.
Dolby 3D uses a Dolby Digital Cinema projector that can show both 2D and 3D films. For 3D presentations, additional filters are used in the projector, one filter each for the left eye and right eye. Each filter allows different frequencies of red, green, and blue light to pass through each of them.