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The Crossing of the Red Sea, by Nicolas Poussin (1633–34). The Crossing of the Red Sea or Parting of the Red Sea (Hebrew: קריעת ים סוף, romanized: Kriat Yam Suph, lit. "parting of the sea of reeds") [1] is an episode in The Exodus, a foundational story in the Hebrew Bible.
During the Exodus, Moses stretches his hand with the staff to part the Red Sea. While in the "wilderness" after leaving Egypt, Moses follows God's command to strike a rock with the rod to create a spring for the Israelites to drink from (Exodus 17:5–7). Moses does so, and water springs forth from the rock in the presence of the Elders of Israel.
The Crossing of the Red Sea is an oil on canvas painting by Nicolas Poussin, produced between 1633 and 1634. It depicts the crossing of the Red Sea by the Israelites, from chapter 14 of the book of Exodus. It is held at the National Gallery of Victoria, in Melbourne.
Moses can be equated to Cosimo I, who wants to lead his people to the promised land. The crossing of the Red Sea and the destruction of the Egyptian army alludes to the 1537 battle of Montemurlo where Cosimo I defeated the army trying to restore the Republic of Florence. [17] The symbolism pointing to the battle isn't particularly subtle.
Pages in category "Paintings of Moses" The following 42 pages are in this category, out of 42 total. ... Crossing of the Red Sea (Bronzino)
Moses said that he could not speak eloquently, [6] so God allowed Aaron, his elder brother, [7] to become his spokesperson. After the Ten Plagues, Moses led the Exodus of the Israelites out of Egypt and across the Red Sea, after which they based themselves at Mount Sinai, where Moses received the Ten Commandments.
Moses parts the Red Sea (1907 print) The Israelites begin to complain, and Yahweh miraculously provides them with water and food, eventually raining manna down for them to eat. The Amalekites attack at Rephidim, but are defeated. Jethro, the father-in-law of Moses, convinces him to appoint judges for the tribes of Israel.
The name of the Augsburg artist and printmaker Hans Burgkmair appears on one page of the manuscript. Till-Holger Borchert , an expert in German Medieval art, suggests that, as Burgkmair the Elder died in the 1530s, the artist in question here must be his son, Hans Burgkmair the Younger, who is much less well attested by known works. [ 2 ]
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