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The evidence of the plaster laid for a day's work can be seen around the head and arm of this ignudo. The entire ceiling is a fresco, which is an ancient method for painting murals that relies upon a chemical reaction between damp lime plaster and water-based pigments to permanently fuse the work into the wall. [43]
The oldest method, known as the a massello technique, involves cutting the wall and removing a considerable part of it together with both layers of plaster and the fresco painting itself. The stacco technique, on the other hand, involves removing only the preparatory layer of plaster, called the arriccio together with the painted surface.
The ceiling before the restoration [c]. The preliminary experimentation for the modern restoration began in 1979. The restoration team comprised Gianluigi Colalucci, Maurizio Rossi, Piergiorgio Bonetti, and others, [6] who took as their guidelines the Rules for restoration of works of art as established in 1978 by Carlo Pietrangeli, director of the Vatican's Laboratory for the Restoration of ...
The word fresco is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster.
He also had very limited experience working in the technique known as fresco, mixing pigment into wet plaster to create a permanent bond. [6] Traditionally, fresco painters applied many successive layers of plaster before and during the painting process. [7] This method requires fresco painters to work quickly and with a pre-set plan.
The chapel is about 35 metres (118 feet) long and 14 m (46 ft) wide, [15] with the ceiling rising to about 20 m (66 ft) above the main floor. [9]: 28 [16] Its exterior is unadorned by architectural or decorative details, as is common in many Italian churches of the Medieval and Renaissance eras. It has no exterior façade or exterior ...
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The Sistine Chapel ceiling, painted by Michelangelo between 1508 and 1512, is one of the most renowned artworks of the High Renaissance. Central to the ceiling decoration are nine scenes from the Book of Genesis of which The Creation of Adam is the best known, the hands of God and Adam being reproduced in countless imitations.
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