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Social commentary is the act of using rhetorical means to provide commentary on social, cultural, political, or economic issues in a society. This is often done with the idea of implementing or promoting change by informing the general populace about a given problem and appealing to people's sense of justice.
Art criticism includes a descriptive aspect, [3] where the work of art is sufficiently translated into words so as to allow a case to be made. [2] [3] [7] [11] The evaluation of a work of art that follows the description (or is interspersed with it) depends as much on the artist's output as on the experience of the critic.
Protest art involves creative works grounded in the act of addressing political or social issues. Protest art is a medium that is accessible to all socioeconomic classes and represents an innovative tool to expand opportunity structures. The transient, interdisciplinary, and hybrid nature of performance art allowed for audience engagement.
Grant Wood's magnum opus American Gothic, 1930, has become a widely known (and often parodied) icon of social realism.. Social realism is the term used for work produced by painters, printmakers, photographers, writers and filmmakers that aims to draw attention to the real socio-political conditions of the working class as a means to critique the power structures behind these conditions.
In Germany, Max Beckmann, Otto Dix, George Grosz and others politicized their paintings, foreshadowing the coming of World War II, while in America, modernism is seen in the form of American Scene painting and the social realism and Regionalism movements that contained both political and social commentary dominated the art world.
Art activism or artivism utilizes the medium of visual art as a method of social or political commentary. Art activism can activate utopian thinking, which is imagining about an ideal society that is different from the current society, which is found to be effective for increasing collective action intentions.
Social practice or socially engaged practice [1] in the arts focuses on community engagement through a range of art media, human interaction and social discourse. [2] While the term social practice has been used in the social sciences to refer to a fundamental property of human interaction, it has also been used to describe community-based arts practices such as relational aesthetics, [3] [4 ...
Social criticism can also be expressed in a fictional form, e.g. in a revolutionary novel like The Iron Heel (1908) by Jack London; in dystopian novels like Aldous Huxley's Brave New World (1932), George Orwell's Nineteen Eighty-Four (1949), Ray Bradbury's Fahrenheit 451 (1953), or Rafael Grugman's Nontraditional Love (2008); or in children's books or films.