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  2. Ugrashravas - Wikipedia

    en.wikipedia.org/wiki/Ugrashravas

    Ugrashravas Sauti (Sanskrit: उग्रश्रवस् सौती, also Ugraśravas, Sauti, Sūta, Śri Sūta, Suta Gosvāmī) is a character in Hindu literature, featured as the narrator of the Mahābhārata [1] and several Puranas including the Shiva Purana, [2] Bhagavata Purana, [3] [4] Harivamsa, [5] Brahmavaivarta Purana, and Padma Purana, [6] with the narrations typically taking ...

  3. Shaunaka Mahashala - Wikipedia

    en.wikipedia.org/wiki/Shaunaka_Mahashala

    Ugrashravas was an auditor at Takshila. He travelled to Naimiṣāraṇya forest. There he met with the sage Shaunaka and a large group of Brahmins studying at the Shaunaka Mahashala. The Shaunaka Mahashala is considered as the ancient form of university in the Indian Subcontinent by scholars. It is also known as Naimishyaranya University. [6]

  4. Mandavya - Wikipedia

    en.wikipedia.org/wiki/Mandavya

    According to the Brahmanda Purana, even as the sage underwent this suffering, Ugrashravas, the husband of Shilavati, wished to visit the house of his favourite prostitute, and Shilavati agreed to carry him to her house. When the couple came across Mandavya, the latter understood the man's intentions, and cursed him to die before the next sunrise.

  5. Pativrata - Wikipedia

    en.wikipedia.org/wiki/Pativrata

    According to the Brahmanda Purana, while Sage Mandavya was punished by impalement due to being mistaken for an accomplice in a theft, Ugrashravas, the husband of a devoted wife named Shilavati, wished to visit the house of his favourite prostitute. Shilavati agreed to carry him to her house.

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  7. Mudgala - Wikipedia

    en.wikipedia.org/wiki/Mudgala

    In the Bhagavata Purana, Ugrashravas describes the divisions of the Vedas. It is said that from the heart of Brahma came a transcendental vibration, and from this sound came the potent syllable, om. Using this om, Brahma created the original Vedas and taught them to his sons, Marīci and others, who were all saintly leaders of the Brahmin class.

  8. Do Aankhen Barah Haath - Wikipedia

    en.wikipedia.org/wiki/Do_Aankhen_Barah_Haath

    Do Aankhen Barah Haath (transl. Two Eyes, Twelve Hands) is a 1957 Indian Hindi-language drama film directed by V. Shantaram, who also starred.It is considered to be one of the classics of Hindi cinema and is based on humanistic psychology.

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