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Both lines of the matla ' and the second lines of all subsequent shers must end in the same refrain word called the radif. Qafiya: The rhyming pattern. The radif is immediately preceded by words or phrases with the same end rhyme pattern, called the qafiya. Maqta': The last couplet of the ghazal is called the maqta '.
The word villanelle derives from the Italian villanella, referring to a rustic song or dance, [2] and which comes from villano, meaning peasant or villein. [3] Villano derives from the Medieval Latin villanus, meaning a "farmhand". [4] The etymology of the word relates to the fact that the form's initial distinguishing feature was the pastoral ...
Though the rhyme is tetrametric, it follows no consistent metrical foot; however, the lines correspond roughly to a monosyllabic tetrameter, a dactylic tetrameter, a trochaic tetrameter, and an iambic tetrameter respectively. The poem has historically made use of assonant half rhyme.
End rhyme (aka tail rhyme): a rhyme occurring in the terminating word or syllable of one line in a poem with that of another line, as opposed to internal rhyme. End-stopping line; Enjambment: incomplete syntax at the end of a line; the meaning runs over from one poetic line to the next, without terminal punctuation.
Shelley wrote the poem around Christmas in 1817 [11] —either in December that year or early January 1818. [12] The poem was printed in The Examiner, [2] a weekly paper published by Leigh's brother John Hunt in London. Hunt admired Shelley's poetry and many of his other works, such as The Revolt of Islam, were published in The Examiner. [13]
A sestain is a six-line poem or repetitive unit of a poem of this format , comparable to quatrain (Ruba'i in Persian and Arabic) which is a four-line poem or a unit of a poem. There are many types of sestain with different rhyme schemes , for example AABBCC, ABABCC, AABCCB or AAABAB. [ 1 ]
The maaneh poem (responsive poem) is a term that defines the fact that the poem was composed by combining some of the verses borrowed from an older poem (usually by a different author), including in most cases the poem's meter, rhyme and tempo, and which lyrics were later improvised with new stanzas interspersed between the old. [33]
Attic relief (4th century BCE) depicting an aulos player and his family standing before Dionysos and a female consort, with theatrical masks displayed above. The dithyramb (/ ˈ d ɪ θ ɪ r æ m /; [1] Ancient Greek: διθύραμβος, dithyrambos) was an ancient Greek hymn sung and danced in honor of Dionysus, the god of wine and fertility; the term was also used as an epithet of the god. [2]