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Aeschylus (UK: / ˈ iː s k ɪ l ə s /, [1] US: / ˈ ɛ s k ɪ l ə s /; [2] Ancient Greek: Αἰσχύλος Aischýlos; c. 525 /524 – c. 456 /455 BC) was an ancient Greek tragedian often described as the father of tragedy.
The Oresteia (Ancient Greek: Ὀρέστεια) is a trilogy of Greek tragedies written by Aeschylus in the 5th century BCE, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and the pacification of the Furies (also called Erinyes or Eumenides).
At the end of the last play, a satyr play was staged to revive the spirits of the public, possibly depressed by the events of the tragedy. [note 1] In the work of Aeschylus, comparing the first tragedies with those of subsequent years, there is an evolution and enrichment of the proper elements of tragic drama: dialogue, contrasts, and ...
The rebellion of Prometheus was not invented by Aeschylus, who only breathed the human spirit into older forms. [28] This play, Prometheus Bound, only contains a part of the story. In the sequel, Aeschylus would have had the chance to give to Zeus' character an arc, and show him learning and developing more admirable and generous aspects.
The Persians (Ancient Greek: Πέρσαι, Persai, Latinised as Persae) is an ancient Greek tragedy written during the Classical period of Ancient Greece by the Greek tragedian Aeschylus. It is the second and only surviving part of a now otherwise lost trilogy that won the first prize at the dramatic competitions in Athens ' City Dionysia ...
Aeschylus (c. 525–456 BC): The Persians (472 BC) Seven Against Thebes (467 BC) The Suppliants (463 BC) The Oresteia (458 BC, a trilogy comprising Agamemnon, The Libation Bearers and The Eumenides.) Prometheus Bound (authorship and date of performance is still in dispute) Phrynichus (~511 BC): The Fall of Miletus (c. 511 BC) Phoenissae (c. 476 ...
Aeschylus' Suppliants concerns the shared history of the Argive Greeks and the Egyptians, but at its psychological heart lies the dramatization of violent ethnic confrontation. In its discussion of physical appearance, skin colour, and clothing, as well as in its comparisons of religion, behavioural codes, and political culture, the dialogue ...
These include the comedies of Aristophanes and Menander, the tragedies of Aeschylus, Sophocles and Euripides, and the Roman adaptations of Plautus, Terence and Seneca. In total, there are eighty-three mostly extant plays, forty-six from ancient Greece and thirty-seven from ancient Rome.