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The Oresteia (Ancient Greek: Ὀρέστεια) is a trilogy of Greek tragedies written by Aeschylus in the 5th century BCE, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and the pacification of the Furies (also called Erinyes or Eumenides).
Aeschylus (UK: / ˈ iː s k ɪ l ə s /, [1] US: / ˈ ɛ s k ɪ l ə s /; [2] Ancient Greek: Αἰσχύλος Aischýlos; c. 525 /524 – c. 456 /455 BC) was an ancient Greek tragedian often described as the father of tragedy.
Prometheus Bound (Ancient Greek: Προμηθεὺς Δεσμώτης, romanized: Promētheús Desmṓtēs) is an ancient Greek tragedy traditionally attributed to Aeschylus and thought to have been composed sometime between 479 BC and the terminus ante quem of 424 BC.
The Persians (Ancient Greek: Πέρσαι, Persai, Latinised as Persae) is an ancient Greek tragedy written during the Classical period of Ancient Greece by the Greek tragedian Aeschylus. It is the second and only surviving part of a now otherwise lost trilogy that won the first prize at the dramatic competitions in Athens ' City Dionysia ...
Aeschylus is the earliest Greek tragic playwright for whom any plays have survived complete. Sophocles is famous for his tragedies about Oedipus, particularly Oedipus the King and Antigone. Euripides is known for his plays which often pushed the boundaries of the tragic genre.
“I am reading ‘Agamemnon’ by Aeschylus, who is the father of Greek tragedy. The ancient Greek insight into the human condition resonates as powerfully in the 21st century as it did 2,500 ...
[3] [4] It was long thought to be the earliest surviving play by Aeschylus due to the relatively anachronistic function of the chorus as the protagonist of the drama. However, evidence discovered in the mid-twentieth century shows it was one of Aeschylus' last plays, definitely written after The Persians and possibly after Seven Against Thebes. [5]
At the end of the last play, a satyr play was staged to revive the spirits of the public, possibly depressed by the events of the tragedy. [note 1] In the work of Aeschylus, comparing the first tragedies with those of subsequent years, there is an evolution and enrichment of the proper elements of tragic drama: dialogue, contrasts, and ...
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