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"Modern Love" was released on 14 April 1983 as the opening track of Let's Dance. [11] It was later released on 12 September 1983 by EMI America on seven-inch vinyl (as EA 158, featuring the shortened single version), and on twelve-inch vinyl (as 12EA 158, featuring the full length song) as the third single of the album, [12] with a live version, recorded in Montreal in July 1983, [7] as its B ...
Georgia Ref (also distributed under the name "MS Reference Serif," extension of the Georgia typeface) Gulim/ New Gulim and Dotum, rounded sans-serif and non-rounded sans-serif respectively, (distributed with Microsoft Office 2000. wide range of CJK (Korean) characters. 49,284 glyphs in v3.10.)
Typeface Family Spacing Weights/Styles Target script Included from Can be installed on Example image Aharoni [6]: Sans Serif: Proportional: Bold: Hebrew: XP, Vista
Futura is a geometric sans-serif typeface designed by Paul Renner and released in 1927. [1] It was designed as a contribution on the New Frankfurt-project.It is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period.
Nick Shinn's Scotch Modern revival is a digitisation in three optical sizes of the Scotch Modern types that inspired Century. [26] Described by reviewer Mark Simonson as 'insanely complete', it has a stronger level of contrast and sharper Didone serifs than Century designs, in a release featuring small caps and a range of matching figure designs.
Epitaph (1993) - decorative sans-serif inspired by an Art Nouveau typeface issued by American Type Founders. [10] [11] Reiner Script (1993) - script font. [10] Stereo (1993) - relief sans serif. [10] A digitisation of Eldorado by Font Bureau, on which Frere-Jones collaborated (shown is the Text optical size).
Univers (French pronunciation: ⓘ) is a sans-serif typeface family designed by Adrian Frutiger and released by his employer Deberny & Peignot in 1957. [1] Classified as a neo-grotesque sans-serif, one based on the model of nineteenth-century German typefaces such as Akzidenz-Grotesk, it was notable for its availability from the moment of its launch in a comprehensive range of weights and widths.
The classification is known as modern, or Didone. The most famous Didot typefaces were developed in the period 1784–1811. Firmin Didot (1764–1836) cut the letters, and cast them as type in Paris. His brother, Pierre Didot (1760–1853) used the types in printing. His edition of La Henriade by Voltaire in 1818 is considered his masterwork.