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Juana Inés de Asbaje y Ramírez de Santillana, better known as Sor Juana Inés de la Cruz [a] OSH (12 November 1651 – 17 April 1695), [1] was a New Spain (considered Mexican by many authors) [2] writer, philosopher, composer and poet of the Baroque period, as well as a Hieronymite nun, nicknamed "The Tenth Muse" and "The Phoenix of America" by her contemporary critics. [1]
The Nameless (Spanish: Los Sin Nombre; Catalan: Els sense nom) is a 1999 Spanish horror film directed by Jaume Balagueró in his directorial debut, and starring Emma Vilarasau, Karra Elejalde, and Tristán Ulloa.
The Sin of Being a Woman (Spanish: El pecado de ser mujer) is a 1955 Mexican drama film directed by Zacarías Gómez Urquiza and starring Tito Guízar and Alma Rosa Aguirre. [ 1 ] [ 2 ] [ 3 ] The film's sets were designed by art director Javier Torres Torija .
Sin nombre (English: "Nameless") is a 2009 adventure thriller film written and directed by Cary Joji Fukunaga, about a Honduran girl trying to immigrate to the United States, and a boy caught up in the violence of gang life. Diego Luna and Gael García Bernal were executive producers on the Spanish-language film.
Song Without a Name (Spanish: Canción sin nombre) is a 2019 drama film directed by Melina León. It was screened in the Directors' Fortnight section at the 2019 Cannes Film Festival . [ 1 ] [ 2 ] It was selected as the Peruvian entry for the Best International Feature Film at the 93rd Academy Awards , but it was not nominated. [ 3 ]
Without Sin is a four-part British television drama series, written by Frances Poletti. [1] It stars Vicky McClure as a mother whose life becomes entangled with her daughter's killer. It began airing on 28 December 2022 ITVX , followed by broadcast on ITV on 15 May 2023.Began airing on Acorn Tv In February 12, 2024.
Women Without Tomorrow (Spanish: Mujeres sin mañana) is a 1951 Mexican drama film directed by Tito Davison and starring Leticia Palma, Manolo Fábregas and Carmen Montejo. [ 1 ] The film's art direction was by Edward Fitzgerald .
Félix and de Fuentes filmed together another two films: La Mujer sin Alma (1944) and La Devoradora (1946). As María Félix herself said, "With these films, I became the number one enemy of the Mexican family morals." Somehow, I seduced the public, even those who criticize the conduct of my characters in the films.