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The 27 songs, collected in five series, are in the local language, Auvergnat, a dialect of Occitan. The best-known of the songs is the "Baïlèro", which has been frequently recorded and performed, sometimes with slight variations of Canteloube's arrangement, such as for choir or instrumental performance, rather than the original soprano solo.
Other styles of music include the shepherd's calls known as ballero. Joseph Canteloube was a well-known composer from Auvergne in the early 20th century, and produced a famous collection of folk music called Songs of the Auvergne. The hurdy-gurdy became the basis for bal-musette music, which arrived in Paris by
Frederica von Stade: Chants d'Auvergne, Vol. 1 is a 51-minute studio album presenting seventeen of the thirty traditional Auvergnat songs collected and arranged by Joseph Canteloube, performed by von Stade and the Royal Philharmonic Orchestra under the direction of Antonio de Almeida. It was released in 1982. [1]
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Joseph Canteloube, c.1905. Marie-Joseph Canteloube de Malaret (French pronunciation: [maʁi ʒozɛf kɑ̃tlub də malaʁɛ]; 21 October 1879 – 4 November 1957) was a French composer, musicologist, and author best known for his collections of orchestrated folksongs from the Auvergne region, Chants d'Auvergne.
They play both regrets (slow airs), bourrées (typical auvergne danse) and swift, 3/8 dance music. Joseph Canteloube was a well-known composer from Auvergne in the early 20th century, and produced a famous collection of folk music called Songs of the Auvergne.
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Frederica von Stade: Chants d'Auvergne, Vol. 2 & Triptyque is a 60-minute studio album containing thirteen of the thirty traditional Auvergnat songs collected and arranged by Joseph Canteloube, together with a song cycle of his own composition, performed by von Stade and the Royal Philharmonic Orchestra under the direction of Antonio de Almeida.