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Aristotle divides the art of poetry into verse drama (comedy, tragedy, and the satyr play), lyric poetry, and epic. The genres all share the function of mimesis, or imitation of life, but differ in three ways that Aristotle describes: Differences in music rhythm, harmony, meter, and melody. Difference of goodness in the characters.
Aristotle's use of the term opsis, as Marvin Carlson points out, is the "final element of tragedy," but the term "receive[d] no further consideration". [3] Aristotle discusses opsis in book 6 of the poetics, [4] but only goes as far as to suggest that "spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of ...
The classical unities, Aristotelian unities, or three unities represent a prescriptive theory of dramatic tragedy that was introduced in Italy in the 16th century and was influential for three centuries. The three unities are: unity of action: a tragedy should have one principal action. unity of time: the action in a tragedy should occur over a ...
Mythos [from Ancient Greek μῦθος mûthos] is the term used by Aristotle in his Poetics (c. 335 BCE) to mean an Athenian tragedy's plot as a "representation of an action" [1] or "the arrangement of the incidents" [2] that "represents the action". [3] Aristotle distinguishes plot from praxis – which are the actions the plots represent. [4]
Greek tragedy (Ancient Greek: τραγῳδία, romanized: tragōidía) is one of the three principal theatrical genres from Ancient Greece and Greek inhabited Anatolia, along with comedy and the satyr play. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy.
Works of Aristotle. The end of Sophistical Refutations and beginning of Physics on page 184 of Bekker 's 1831 edition. The works of Aristotle, sometimes referred to by modern scholars with the Latin phrase Corpus Aristotelicum, is the collection of Aristotle 's works that have survived from antiquity. According to a distinction that originates ...
Aristotle taught that tragedy is composed of six elements: plot-structure, character, style, thought, spectacle, and lyric poetry. [135] The characters in a tragedy are merely a means of driving the story; and the plot, not the characters, is the chief focus of tragedy.
On the Heavens. On the Heavens (Greek: Περὶ οὐρανοῦ; Latin: De Caelo or De Caelo et Mundo) is Aristotle 's chief cosmological treatise: written in 350 BC, [citation needed] it contains his astronomical theory and his ideas on the concrete workings of the terrestrial world. It should not be confused with the spurious work On the ...