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The camera offers full 1080 and 720 HD, native 1080/24p recording, variable frame rates, professional audio capabilities, and compatibility with SDHC and SDXC media. The design of the AF100’s 4/3" type sensor affords depth of field and field of view similar to that of 35mm movie cameras in a less expensive camera body.
Brand Camera Sensor size Lens Mount Recording media Maximum video resolution Native ISO Dynamic range (native/peak ISO) Shutter type Frame rate(s −1) Codec; Canon: 1D Mark IV [122] ...
The distinction between professional video cameras and movie cameras narrowed as HD digital video cameras with sensors the same size as 35mm movie cameras - plus dynamic range (exposure latitude) and color rendition approaching film quality - were introduced in the late 2010s. Nowadays, HDTV cameras designed for broadcast television, news ...
HDCAM deck HDCAM L tape. SMPTE 367M, also known as SMPTE D-11, is the SMPTE standard for HDCAM. The standard specifies compression of high-definition digital video. D11 source picture rates can be 24, 24/1.001, 25 or 30/1.001 frames per second progressive scan, or 50 or 60/1.001 fields per second interlaced; compression yields output bit rates ranging from 112 to 140 Mbit/s.
Contour - wearable HD action cams for video and capable of taking stills; Covert - trail cameras; Creative - webcams only; previously offered compact digital cameras; Cuddeback - trail cameras; Disk Digitais - professional cameras, semi-professional, plus a hundred in accessories; D-Link - IP cameras; EarthCam - webcams only; Emprex
Combo-cameras combine full-feature still cameras and camcorders in a single unit. The Sanyo Xacti HD1 was the first such unit, combining the features of a 5.1 megapixel still camera with a 720p video recorder with improved handling and utility. Canon and Sony have introduced camcorders with still-photo performance approaching that of a digicam ...
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