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A 17th-century English Baroque school using extended conceit, often (though not always) about religion [18] [19] John Donne, George Herbert, Andrew Marvell: Cavalier Poets: 17th-century English Baroque royalist poets, writing primarily about courtly love, called Sons of Ben (after Ben Jonson) [20] Richard Lovelace, William Davenant: Euphuism
The sensation novel, also sensation fiction, was a literary genre of fiction that achieved peak popularity in Great Britain in between the early 1860s and mid to late 1890s, [1] centering taboo material shocking to its readers as a means of musing on contemporary social anxieties.
Early Modern English as a literary medium was unfixed in structure and vocabulary in comparison to Greek, Hebrew and Latin, and was in a constant state of flux.When William Shakespeare began writing his plays, the English language was rapidly absorbing words from other languages due to wars, exploration, diplomacy and colonization.
Other novelists writing in the 1950s and later were: Anthony Powell whose twelve-volume cycle of novels A Dance to the Music of Time, is a comic examination of movements and manners, power and passivity in English political, cultural and military life in the mid-20th century; comic novelist Kingsley Amis (1922–1995) is best known for his ...
Mary Chavelita Dunne Bright (born Mary Elizabeth Annie Dunne; 14 December 1859 – 12 August 1945), better known by her pen name George Egerton (pronounced Edg'er-ton), [2] was a writer of short stories, novels, plays and translations, noted for her psychological probing, innovative narrative techniques, and outspokenness about women's need for freedom, including sexual freedom.
Portrait of Samuel Richardson by Joseph Highmore. National Portrait Gallery, Westminster, England.. The English novel is an important part of English literature.This article mainly concerns novels, written in English, by novelists who were born or have spent a significant part of their lives in England, Scotland, Wales, or Northern Ireland (or any part of Ireland before 1922).
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]
Highly popular and influential in its time, The Spanish Tragedy established a new genre in English literature theatre, the revenge play or revenge tragedy. Jane Lumley (1537–1578) was the first person to translate Euripides into English. Her translation of Iphigeneia at Aulis is the first known dramatic work by a woman in English. [31]