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Extreme II: Pornograffitti (also known as simply Pornograffitti) is the second studio album by the heavy metal band Extreme, released on August 7, 1990, through A&M Records. [4] The album title is a portmanteau of pornography and graffiti .
More American Graffiti is a 1979 American coming-of-age comedy film written and directed by Bill L. Norton, produced by Howard Kazanjian. The film, shot in multiple aspect ratios for comedic and dramatic emphasis, is the sequel to the 1973 film American Graffiti .
The primary reason for the change was the fact that in April 1997 Xerox had sued PalmSource, Inc. over its use of Graffiti. [2] After a legal fight lasting a number of years, and despite the dismissal of the case by a federal judge, Xerox won a reversal late in 2001 in the U.S. Court of Appeals.
This category has the following 2 subcategories, out of 2 total. D. Documentary films about graffiti (14 P) G. Graffiti video games (12 P) Pages in category "Graffiti ...
2 26 "Love,too Death,too" October 8, 2008 2 27 "Koyoi, Tsuki ga Miezutomo" December 10, 2008 2 28 "Kono Mune o, Ai o Iyo" September 9, 2009 2 29 "Anima Rossa" November 25, 2009 3 30 "Hitomi no Oku o Nozokasete" February 10, 2010 4 31 "Kimi wa 100%" October 27, 2010 2 32 "Exit" March 2, 2011 5 33 "One More Time" September 21, 2011 4 34
American Graffiti is a 1973 American coming-of-age comedy-drama film directed by George Lucas, produced by Francis Ford Coppola, written by Willard Huyck, Gloria Katz and Lucas, and starring Richard Dreyfuss, Ron Howard, Paul Le Mat, Charles Martin Smith, Candy Clark, Mackenzie Phillips, Cindy Williams and Wolfman Jack.
A second compilation, titled More American Graffiti (MCA 8007) (and not to be confused with the 1979 film sequel of that name) was issued by MCA in early 1975 with George Lucas's approval. [ citation needed ] It features more rock and doo-wop hits from the late 1950s and early 1960s (only one of which, the Crows' "Gee", was featured in the film ...
Graffiti in Two Parts is a live album by the Joe Morris Quartet, led by Morris on guitar and banjouke, and featuring cornetist Lawrence D. "Butch" Morris, violinist Malcolm Goldstein, and, in a rare appearance, multi-instrumentalist Lowell Davidson on drums and aluminum acoustic bass.