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The Brandenburg Concerto No. 1, BWV 1046.2 (BWV 1046), [23] is the only one in the collection with four movements. The concerto also exists in an alternative version, Sinfonia BWV 1046.1 (formerly BWV 1046a), [ 24 ] which appears to have been composed during Bach's years at Weimar.
The earliest documentary traces of Bach's involvement with the concerto genre include: In 1709 Bach helped copy out the performance parts of a concerto by Georg Philipp Telemann [2] Around 1710 or earlier Bach copied the continuo part, BWV Anh. 23, of a concerto included in Tomaso Albinoni's Op. 2, which had been published in 1700. [3] [4]
Traditionally known as chorale preludes, the compositions in the BWV 599–771 range of the Bach-Werke-Verzeichnis, and later additions BWV 1085, 1090–1120 (Neumeister Chorales) and 1128, are also indicated as chorale settings for organ, [15] and include multi-movement chorale partitas [16] and sets of variations.
The earliest extant sources regarding Bach's involvement with the keyboard concerto genre are his Weimar concerto transcriptions, BWV 592–596 and 972–987 (c. 1713–1714), and his fifth Brandenburg Concerto, BWV 1050, the early version of which, BWV 1050a, may have originated before Bach left Weimar in 1717.
Switched-On Brandenburgs is a 1980 double album by Wendy Carlos. [3] It was the seventh album released by Carlos, and the fourth album in her project of classical music which also included Switched-On Bach (1968), The Well-Tempered Synthesizer (1969), and Switched-On Bach II (1974). [4]
Busoni's Bach editions are a series of publications containing primarily transcriptions of keyboard music by Johann Sebastian Bach. They also include performance suggestions, practice exercises, musical analysis, an essay on the art of transcribing Bach's organ music for piano, an analysis of the fugue from Beethoven's 'Hammerklavier' sonata ...
Notebook A. M. Bach No. 2 = Partita No. 6 from Clavier-Übung I: E min. Keyboard 3: 116 V/1: 90 V/4: 60 after BWV 1019a/3 /5 00968: 831 8. 1733–1735 Overture in the French style (Clavier-Übung II No. 2) B min. Harpsichord 3: 154 V/2: 20 after BWV 831a: 00969: 831a 8. 1727–1733 Overture in the French style (early version) C min. Keyboard V ...
The concerto transcriptions of Johann Sebastian Bach date from his second period at the court in Weimar (1708–1717). Bach transcribed for organ and harpsichord a number of Italian and Italianate concertos, mainly by Antonio Vivaldi, but with others by Alessandro Marcello, Benedetto Marcello, Georg Philipp Telemann and the musically talented Prince Johann Ernst of Saxe-Weimar.