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Razmnama Leaf, Sage Brihaspati Describes the Evils of Anarchy to. Brihaspati appears in the Rigveda (pre-1000 BCE), such as in the dedications to him in the hymn 50 of Book 4; [6] he is described as a sage born from the first great light, the one who drove away darkness, is bright and pure, and carries a special bow whose string is Rta or "cosmic order" (basis of dharma).
Muthuswami Dikshitar (1776–1835), a Carnatic music composer from southern India, composed the Navagraha Kritis in praise of the nine grahas. [3] Each song is a prayer to one of the nine planets.
There is a similar cluster of Navagraha temples in Chennai, erstwhile Thondai Nadu in and around Kundrathur.. Agatheeswarar Temple - Suryan - Kolapakkkam; Somanaadheeswarar Temple - Chandran - Somangalam
Muthuswami Dikshita (IAST: Muttusvāmi Dīkṣita, 24 March 1775 – 21 October 1835) or Dikshitar was a South Indian poet and composer and is one of the musical trinity of Carnatic music.
Shukravara is found in most Indian languages, and Shukra Graha is driven by the planet Venus in Hindu astrology. The word "Friday" in the Greco-Roman and other Indo-European calendars is also based on the planet Venus. Shukra is a part of the Navagraha in the Hindu zodiac system. The Navagraha developed from early works of astrology over time.
Swetharanyeswarar is the main God in this temple. It is said that Agora Murthi was one of the furious incarnation of Shiva.There was a demon named Maruthuvasuran in Thiruvengadu.
Apatsahayesvarar Temple, Alangudi or Guru Sthalam or Tiru Irum Poolai [1] is a Hindu temple dedicated to Shiva located in the Needamangalam Town near village of Alangudi in the Valangaiman taluk [2] of Tiruvarur district, Tamil Nadu, India. Shiva is worshipped as Apathsahyesvarar, and is represented by the lingam.
Madhyamavati's notes when shifted using Graha bhedam, yields 4 other major pentatonic rāgas, namely, Mohanam, Hindolam, Shuddha Saveri and Udayaravichandrika (also known as Shuddha Dhanyasi). [3] Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāga.