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Kwaidan is a symphony of color and sound that is truly past compare." [15] Variety described the film as "done in measured cadence and intense feeling" and that it was "a visually impressive tour-de-force." [16] In his review of Harakiri, Roger Ebert described Kwaidan as "an assembly of ghost stories that is among the most beautiful films I've ...
Kwaidan: Stories and Studies of Strange Things (怪談, Kaidan, also Kwaidan (archaic)), often shortened to Kwaidan ("ghost story"), is a 1904 book by Lafcadio Hearn that features several Japanese ghost stories and a brief non-fiction study on insects. [1] It was later used as the basis for a 1964 film, Kwaidan, by Masaki Kobayashi. [2]
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Masaki Kobayashi (小林 正樹, Kobayashi Masaki, February 14, 1916 – October 4, 1996) was a Japanese film director and screenwriter, best known for the epic trilogy The Human Condition (1959–1961), the samurai films Harakiri (1962) and Samurai Rebellion (1967), and the horror anthology Kwaidan (1964). [1]
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The shamaness or medium running the service is suspicious of Yuki, and flings boiling water at her, burning her skin. Five years pass, Yuki and Yosaku are married and have a son. Lord Jito proposes to the high priest that Yosaku and Gyokei, an expert sculptor, both sculpt a Kannon statue and that the priest decides on the best statue.
Kaidan entered the vernacular during the Edo period, when a parlour game called Hyakumonogatari Kaidankai became popular. This game led to a demand for ghost stories and folktales to be gathered from all parts of Japan and China.The popularity of the game, as well as the acquisition of a printing press, led to the creation of a literary genre called kaidanshu.