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  2. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    The following is a list of commonly used chord progressions in music. Code Major: Major: Minor: Minor: Atonal: Atonal: ... I–V–vi–IV chord progression in C: 4 ...

  3. D-flat major - Wikipedia

    en.wikipedia.org/wiki/D-flat_major

    Antonín Dvořák wrote the second movement of his Symphony No. 9 in D-flat major, while every other movement is in E minor. The first piano concerto of Sergei Prokofiev is also written in D-flat major, with a short slow movement in G-sharp minor. Aram Khachaturian wrote his Piano Concerto, Op. 38 in the key of D-flat major.

  4. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    By thinking of this blues progression in Roman numerals, a backup band or rhythm section could be instructed by a bandleader to play the chord progression in any key. For example, if the bandleader asked the band to play this chord progression in the key of B ♭ major, the chords would be B ♭-B ♭-B ♭-B ♭, E ♭-E ♭-B ♭-B ♭, F-E ...

  5. Octatonic scale - Wikipedia

    en.wikipedia.org/wiki/Octatonic_scale

    Octatonic scales can be found in Chopin's Mazurka, Op. 50, No. 3 and in several Liszt piano works: the closing measures of the third Étude de Concert, "Un Sospiro," for example, where (mm. 66–70) the bass contains a complete falling octatonic scale from D-flat to D-flat, in the opening piano cadenzas of Totentanz, in the lower notes between ...

  6. Tritone substitution - Wikipedia

    en.wikipedia.org/wiki/Tritone_substitution

    For example, in the progression Dm 7 –G 7 –C M7, substituting D ♭ 7 for G 7 produces the downward movement of D–D ♭ –C in the roots of the chords, typically played by the bass. This also reinforces the downward movement of the thirds and sevenths of the chords in the progression (in this case, F/C to F/C ♭ to E/B).

  7. Function (music) - Wikipedia

    en.wikipedia.org/wiki/Function_(music)

    The concept of harmonic function originates in theories about just intonation.It was realized that three perfect major triads, distant from each other by a perfect fifth, produced the seven degrees of the major scale in one of the possible forms of just intonation: for instance, the triads F–A–C, C–E–G and G–B–D (subdominant, tonic, and dominant respectively) produce the seven ...

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