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Closing Time is the debut album by American singer-songwriter Tom Waits, released on March 6, 1973, on Asylum Records.Produced and arranged by former Lovin' Spoonful member Jerry Yester, Closing Time was the first of seven of Waits' major releases by Asylum.
"Closing Time" is a song by American rock band Semisonic. It was released on March 10, 1998, as the lead single from their second studio album, Feeling Strangely Fine , and began to receive mainstream radio airplay on April 27, 1998.
[19] The music video for Cohen's song "Closing Time" also won the Juno Award for Best Music Video in 1993. [18] In the original Rolling Stone review, Christian Wright called the album "epic", enthusing "The Future might as easily have been a book: A more troubling, more vexing image of human failure has not been written."
Music. Closing Time, a 1973 album by Tom Waits, or the title song "Closing ... "Closing Time", a song by Tyler Joe Miller from Spillin' My Truth, 2023
[2] Ben Allen of Radio Times commented, "Tarantino knows exactly how effective music can be in enhancing key scenes in his films. This is evident throughout Once Upon a Time in Hollywood." [16] Michael Roffman of Consequence opined, "The collection is chock full of 60's selections that look strange on paper, but work effortlessly together on ...
Dredd (Original Film Soundtrack) is the soundtrack to the 2012 film of the same name directed by Pete Travis from a screenplay written by Alex Garland.The album consisted industrial music composed by Paul Leonard-Morgan, [1] which consisted both electronic and post-modern music resulting in a futuristic sound that set over 100 years, and experimented sounds that created by slowing down newly ...
Tropic Thunder: Original Motion Picture Soundtrack was released on August 5, 2008, the week before the film was released in theaters.. Five songs, "Cum On Feel the Noize" by Quiet Riot, "Sympathy for the Devil" by The Rolling Stones, "For What It's Worth" by Buffalo Springfield, "Low" by Flo Rida and T-Pain, and "Get Back" by Ludacris, were not present on the soundtrack, yet did appear in the ...
For the setting of the late 1970s and early 1980s, music emerged in the creative process that brought back Russell to that time period, [7] though the songs he chose did not emerge from that time. In a mob sequence, Russell recalled that Renner had an idea to use Tom Jones ' " Delilah " which was "just the perfect song to soundtrack those old ...