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Scandinavian serpent designs are carved into the wood above the door and windows facing the lake and above the door facing the courtyard. The walls of the east wing were built to resemble those of Olavinlinna , a stone castle built in 1015 AD, and use light color mortar with dark colored stones.
The Brooklyn Museum's 1954 "Design in Scandinavia" exhibition launched "Scandinavian Modern" furniture on the American market. [1]Scandinavian design is a design movement characterized by simplicity, minimalism and functionality that emerged in the early 20th century, and subsequently flourished in the 1950s throughout the five Nordic countries: Denmark, Finland, Norway, Sweden, and Iceland.
Danish modern also known as Scandinavian modern is a style of minimalist furniture and housewares from Denmark associated with the Danish design movement. In the 1920s, Kaare Klint embraced the principles of Bauhaus modernism in furniture design, creating clean, pure lines based on an understanding of classical furniture craftsmanship coupled with careful research into materials, proportions ...
Interior with Young Woman Seen from the Back (c. 1903–04), 60.5 x 50.5 cm [1] Interior with Young Woman Seen from the Back (Danish: Interiør med ung kvinde set fra ryggen) is an oil-on-canvas painting from c. 1903–04 by the Danish artist Vilhelm Hammershøi. It is now held in the Randers Museum of Art. It uses the muted grey-blue palette ...
Danish design is a style of functionalistic design and architecture that was developed in mid-20th century. Influenced by the German Bauhaus school, many Danish designers used the new industrial technologies, combined with ideas of simplicity and functionalism to design buildings, furniture and household objects, many of which have become ...
Finishes that were either marbleized or grained were frequently found on doors and woodwork. "Graining" was meant to imitate woods of higher quality that were more difficult to work. There were specific rules for interior color choice and placement. The theory of "harmony by analogy" was to use the colors that lay next to each other on the ...
The architecture of Norway has evolved in response to changing economic conditions, technological advances, demographic fluctuations and cultural shifts. While outside architectural influences are apparent in much of Norwegian architecture, they have often been adapted to meet Norwegian climatic conditions, including: harsh winters, high winds and, in coastal areas, salt spray.
The strap-work paneling showcases Viking tradition along with the carvings in the walls displaying fighting animals. The decorations are an essential connection between the pre-Christian Nordic traditions and the later Christianity of the Middle ages as well as representing the artistic style of Scandinavian culture. [5]
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