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After some delay, Dead Like Me: Life After Death, a film directed by Stephen Herek based on Dead Like Me and featuring many members of the show's cast, including Muth, was released direct-to-video in March 2009. [16] In 2012, Muth returned to the big screen in the romantic comedy Margarine Wars alongside Robert Loggia and Doris Roberts.
Without focusing on a single main character, the film depicts a season of rehearsals and performances at the Joffrey Ballet. Its artistic director is the warm yet demanding former dancer Alberto Antonelli, who steadily guides the company through the rigors of training, injuries, scheduling challenges, financial difficulties, and conflicts between dancers and choreographers.
Georgie Denbrough is the main character of Georgie, a 2019 short fan film based on the 1990 TV miniseries adaptation of the novel, with Tony Dakota reprising his role as the title character. This short fan film shows an undead adult Georgie (being resurrected through drawing). This is the only adaptation to show Georgie as an adult.
The movie, which is loosely based on the '90s tabloid story of Mary Kay Letourneau and Vili Fualaau, largely falls in the hands of its three primary leads: Natalie Portman (who plays Elizabeth, an ...
As an adult, he is an architect living in upstate New York, and running his own company, Hanscom Architecture. Jeremy Ray Taylor as Young Ben Hanscom; James Ransone as Edward "Eddie" Kaspbrak: A member of the Losers Club, a hypochondriac, and a victim of Munchausen syndrome by proxy. As an adult, Eddie is a successful risk analyst for an ...
Twisted Nerve is a 1968 British psychological thriller film directed by Roy Boulting and starring Hywel Bennett, Hayley Mills, Billie Whitelaw and Frank Finlay. [3] [2] The film follows a disturbed young man, Martin, who pretends, under the name of Georgie, to be intellectually impaired in order to be near Susan, a girl with whom he has become infatuated.
Wesley Morris (born 1975) [2] is an American film critic and podcast host. He is currently critic-at-large for The New York Times, [3] as well as co-host, with J Wortham, of the New York Times podcast Still Processing.
[135] On Metacritic, it has a weighted average score of 79 out of 100 based on reviews from nine critics, indicating "generally favorable reviews". It topped The New York Observer's 2014 list of the best Stephen King miniseries; the source explained that while it was "two hours too long," it was still the scariest King miniseries of all time. [136]