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Overhangs on two sides of Pennsylvania Dutch barns protect doors, windows, and other lower-level structures. Overhangs on all four sides of barns and larger, older farmhouses are common in Swiss architecture. An overhanging eave is the edge of a roof, protruding outwards from the side of the building, generally to provide weather protection.
Cornice of Maison Carrée (Nîmes, France), a Roman temple in the Corinthian order, with dentils nearest the wall.. In Ancient Greek architecture and its successors using the classical orders in the tradition of classical architecture, the cornice is the topmost element of the entablature, which consists (from top to bottom) of the cornice, the frieze, and the architrave.
Eaves overhang, shown here with a bracket system of modillions. The eaves are the edges of the roof which overhang the face of a wall and, normally, project beyond the side of a building. The eaves form an overhang to throw water clear of the walls and may be highly decorated as part of an architectural style, such as the Chinese dougong ...
The finished surface below the fascia and rafters is called the soffit or eave. In classical architecture, the fascia is the plain, wide band (or bands) that make up the architrave section of the entablature, directly above the columns. The guttae or drip edge was mounted on the fascia in the Doric order, below the triglyph.
Overhanging eaves forming shelter around the building are a consequence where the gable wall is in line with the other walls of the buildings; i.e., unless the upper gable is recessed. Saltbox , catslide: A gable roof with one side longer than the other, and thus closer to the ground unless the pitch on one side is altered.
Bahay na Bato interior kama or Bed. Caryatid – A sculpted female figure serving as an architectural support taking the place of a Pilaster, column or a pillar etc. supporting an entablature on her head; Clerestory – Any high windows above eye level to bring outside light, fresh air, or both into the inner space
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
An eave return (also a cornice return) is an element in Neoclassical architecture where the line of roof eave on a gable end comes down to a point, then doubles back ...