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North American Indian Jewelry and Adornment: From Prehistory to the Present. New York: Harry N. Abrams, 1999: 170-171. ISBN 0-8109-3689-5. Haley, James L. Apaches: a history and culture portrait. Norman: University of Oklahoma Press, 1997. ISBN 978-0-8061-2978-5. Karasik, Carol. The Turquoise Trail: Native American Jewelry and Culture of the ...
The Indian Arts and Crafts Act of 1990 defines "Native American" as being enrolled in either federally recognized tribes or state recognized tribes or "an individual certified as an Indian artisan by an Indian Tribe." [1] This does not include non-Native American artists using Native American themes. Additions to the list need to reference a ...
Charles Sequevya Loloma (January 7, 1921 — June 9, 1991) was a Hopi Native American artist known for his jewelry. He also worked in pottery, painting and ceramics. A highly influential Native American jeweler during the 20th century, [1] Loloma popularized use of gold and gemstones not previously used in Hopi jewelry.
Traditional Native American clothing is the apparel worn by the indigenous peoples of the region that became the United States before the coming of Europeans. Because the terrain, climate and materials available varied widely across the vast region, there was no one style of clothing throughout, [1] but individual ethnic groups or tribes often had distinctive clothing that can be identified ...
The federal Indian Arts and Crafts Act of 1990 (IACA) defines an American Indian as a member of a federally-or state-recognized tribe, while state and tribal Indian arts and crafts laws typically restrict the definition of an American Indian to citizens of federally recognized tribes only. At least 13 states and 4 federally recognized American ...
Native American women were at risk for rape whether they were enslaved or not; during the early colonial years, settlers were disproportionately male. They turned to Native women for sexual relationships. [38] Both Native American and African enslaved women suffered rape and sexual harassment by male slaveholders and other white men. [38]
These materials and their associated colors are principle in the Zuni sunface, a cultural symbol which is present in Zuni jewelry and fetishes and represents their Sun Father. Other materials used are travertine or "Zuni rock", fishrock, jasper , pipestone , marble , or organic items such as fossilized ivory, bone , and deer or elk antler .
Some traditional items frequently copied by non-Indians include Indian-style jewelry, pottery, baskets, carved stone fetishes, woven rugs, kachina figures, and clothing. The Indian Arts and Crafts Board , an agency established in 1934, has responsibility for overseeing the implementation of the Act.
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