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Users of Ultimate Guitar are able to view, request, vote and comment on tablatures in the site's forum. Guitar Pro and Power Tab files can be run through programs in order to play the tablature. Members can also submit album, multimedia and gear reviews, as well as guitar lessons and news articles. Approved works are published on the website.
The song was published in 1913, with music by Maurice Abrahams and lyrics by Grant Clarke and Edgar Leslie. [ 1 ] It was introduced in vaudeville by Adele Ritchie , [ 2 ] was a hit for recording artists such as Al Jolson in 1913, Billy Murray in 1914, duo Debbie Reynolds and Carleton Carpenter in 1951 and was revived by Bobby Horton in the Ken ...
"Three Chords and the Truth" was co-written by Sara Evans, Ron Harbin, and Aimee Mayo. The latter songwriter would later be a frequent collaborator with Evans. [2] [failed verification] The song's plot focuses on lost love and the narrator reconciling with her partner. The song references the famous description of country music by Harlan Howard.
The lyrics also refer to autobiographical details (i.e., the lyric "I got a kid, I'm thirty-three" although Hynde had just turned 32 when the single was released). [6] The harmonica solo near the end of the song is uncredited. Ultimate Classic Rock attributes the solo to Hynde, [7] who usually plays it during live performances of the song.
"Digital Bath" features a variety of effects and sampling. [3] The verse is composed of echoed guitar chords and soothing, whispered vocals. The song also features a high vocal pitch from Chino Moreno virtually unheard in other Deftones material.
Guitar Songs EP by Billie Eilish Released July 21, 2022 Recorded 2022 Length 8: 17 Label Darkroom Interscope Producer Finneas O'Connell Billie Eilish chronology Happier Than Ever (2021) Guitar Songs (2022) Hit Me Hard and Soft (2024) Billie Eilish singles chronology "Male Fantasy" (2021) "TV" / "The 30th" (2022) " Hotline (Edit) " (2023) Guitar Songs is the second extended play (EP) [a] by ...
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Allmusic critic William Ruhlmann praised Whitten's writing of the song, as well as his "rocking out" in his performance on the Crazy Horse album. [4] The writing credits on Tonight's the Night credited the song to both Whitten and Young, but on Crazy Horse's debut album and Live at the Fillmore East the song was credited solely to Whitten. [9]