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Double Indemnity is a 1944 American film noir directed by Billy Wilder and produced by Buddy DeSylva and Joseph Sistrom. Wilder and Raymond Chandler adapted the screenplay from James M. Cain 's novel of the same name , which ran as an eight-part serial in Liberty magazine in 1936.
Phyllis Dietrichson (Phyllis Nirdlinger in the book) is a fictional character in the book and two film adaptations of James M. Cain 's novella Double Indemnity. For the 1944 film of the same name, Barbara Stanwyck was nominated for the Academy Award for Best Actress. The character is considered one of the best femme fatale roles in film noir ...
Nicholas Christopher, Somewhere in the Night (1997) While many critics refer to film noir as a genre itself, others argue that it can be no such thing. Foster Hirsch defines a genre as determined by "conventions of narrative structure, characterization, theme, and visual design." Hirsch, as one who has taken the position that film noir is a genre, argues that these elements are present "in ...
The film is based on Raymond Chandler's 1940 novel Farewell, My Lovely. It was the first film to feature Chandler's primary character, the hard-boiled private detective Philip Marlowe. [5] Murder, My Sweet is, along with Double Indemnity (released five months prior), one of the first films noir, and a key influence in the development of the ...
The Maltese Falcon is a 1941 American film noir in which a San Francisco private detective deals with three unscrupulous adventurers, all seeking a jewel-encrusted falcon statuette. [3] Written and directed by John Huston [ 3 ] in his directorial debut, the film was based on the 1930 novel The Maltese Falcon by Dashiell Hammett and is a remake ...
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alainsilver.com. Alain Silver is an American film producer, director, and screenwriter; music producer; film critic, film historian, DVD commentator, author and editor of books and essays on film topics, especially film noir, the samurai film, and horror films. Filmmakers about whom he has written include David Lean, Robert Aldrich, Raymond ...
Highly regarded by director Billy Wilder, Seitz worked with him on the films noir Double Indemnity (1944), The Lost Weekend (1945), and Sunset Boulevard (1950), receiving Academy Award nominations for each. During his career, he received seven nominations for Academy Award for Best Cinematography.