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Falsettos is a sung-through musical with a book by William Finn and James Lapine, and music and lyrics by Finn.The musical consists of March of the Falsettos (1981) and Falsettoland (1990), the last two installments in a trio of one-act musicals that premiered off-Broadway (the first was In Trousers).
The four men of the show suddenly appear, singing a hymn to masculinity in all its aspects, the three adults singing in a falsetto to match Jason's unbroken voice. Once they exit, Trina returns, deciding to enjoy her life for what it is and be happy. ("Trina's Song/March of the Falsettos/Trina's Song (Reprise)")
Vitaliy Vladasovich Grachev [a] or Vitaliy Vladasovych Grachov, [b] known professionally as Vitas (Russian: Витас; stylised in all caps), is a Russian singer. [1] [2] Vitas is known for his falsetto and his eclectic musical style, which incorporates elements of operatic pop, techno, dance, classical, jazz, and folk.
Falsetto is the tenor of "Trio the Minor" who sings in a high-pitched and off-key voice. After his powers are upgraded, he gains enhanced hearing and wields a whip-like weapon. Once Mephisto is saved from Noise' spell, Falsetto is revealed to be a willing follower of Noise, as he takes over Minor Land operations to complete Noise' resurrection.
Falsetto leads the Minor Trio and transforms Bassdrum and Baritone into new monstrous forms. Meanwhile, Otokichi tells the girls how he once battled Noise and was able to seal away his power, but fears the power of the Melody of Sorrow may awaken him. Ako decides to stay in the human world to help the Pretty Cure defend it.
Oppenheimer, 50, a deeply thoughtful interviewee, explains that the theme in all his work has been the “gulf between the stories we tell ourselves and the mystery and miracle of what we actually ...
Falsettoland is a musical with a book by James Lapine, with music and lyrics by William Finn.. Following In Trousers and March of the Falsettos, it is the third in a trio of one-act musicals centering on Marvin, his wife Trina, his psychiatrist Mendel, his son Jason, and his gay lover Whizzer Brown.
It’s become an annual ritual: Every Jan. 1, more classic works of art or characters enter the public domain, and exploitation filmmakers with a tiny budget and a big taste for grisliness are ...