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"Hard Habit to Break" is a song written by Steve Kipner and John Lewis Parker, produced and arranged by David Foster and recorded by the group Chicago for their 1984 album Chicago 17, with Bill Champlin and Peter Cetera sharing lead vocals.
Cash Box said that the song is very different from Chicago's "vocal harmonies and horns heyday," having "a hard rocking drum beat, some techno-synth backing and an upper-register lead vocal." [3] Upbeat and rock-oriented, it was the first single released from that album, and reached number 16 on the U.S. Billboard Hot 100 chart.
The single, "Hard Habit to Break", brought two more Grammy Award nominations for the band, for Record of the Year and Best Pop Performance by a Duo or Group with Vocals. [22] The album included two other singles: " Stay the Night " (No. 16), [ 20 ] another composition by Cetera and Foster; and " Along Comes a Woman " (No. 14), [ 20 ] written by ...
He performed lead vocals on three of Chicago's biggest hits of the 1980s, 1984's "Hard Habit to Break" and 1988's "Look Away" and "I Don't Wanna Live Without Your Love". During live shows, he sang the lower, baritone, vocal parts originally performed by founding guitarist Terry Kath , who had died in 1978.
Hard Habit to Break", written by Steve Kipner and John Lewis Parker, [82] brought three Grammy nominations for Cetera: two nominations as a member of Chicago for Record of the Year and Best Pop Performance by a Duo or Group with Vocal; [73] [83] and outside the group, as a co-nominee with David Foster for Best Vocal Arrangement for Two or More ...
"Along Comes a Woman" is a song written by Peter Cetera and Mark Goldenberg [5] for the group Chicago and recorded for their album Chicago 17 (1984), with Cetera singing lead vocals. The fourth single released from that album, [6] it is the last Chicago single released with original singer/bassist Cetera, who left the band in the summer
“The worst money habit to break in 2024 is not investing at least 10% to 15% of your gross income for retirement,” said Laura Adams, MBA, an award-winning personal finance author and expert ...
Arab and Muslim characters in films are often portrayed in an ethnocentric or stereotyped way. [15] Arab characters may be depicted as speaking in a heavy accent, being hostile and vicious, and being connected to terrorism. [16] As well, American films and television shows may have stereotypical and pejorative depictions of Arabs and Muslims.